The human creature represents the most perfect thinking and acting machine yet evolved on this earth, developing through countless ages in strict harmony with the surrounding conditions of temperature, atmosphere, light, and gravitation. The profound modifications in the human frame, which any important alteration in either of these factors would occasion, are strangely unconsidered. It is true there have been questionings as to the effects that might be occasioned by changes in temperature and atmospheric composition, but possible variations in gravitation seem almost to have escaped notice. The human body, which long experience and habit have taught us to consider in its highest development as the perfection of beauty and grace — "formed in the image of God " — is entirely conditioned by the strength of gravitation on this globe. So far as has been possible to ascertain, the intensity of gravity has not varied appreciably within those geologic ages covering the existence of animated thinking beings.
William Crookes
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It is curious that the popular conceptions of evil and malignant beings are of the type that would be produced by increased gravitation — toads, reptiles, and noisome creeping things — while the arch fiend himself is represented as perhaps the ultimate form which could be assumed by a thinking brain and its necessary machinery were the power of gravitation to be increased to the highest point compatible with existence — a serpent crawling along the ground. On the other hand, our highest types of beauty are those which would be common under decreased gravitation.
The "daughter of the gods, divinely tall," and the leaping athlete, please us by the slight triumph over the earthward pull which their stature or spring implies.William Crookes
Popular imagination presupposes spiritual beings to be utterly independent of gravitation, while retaining shapes and proportions which gravitation originally determined, and only gravitation seems likely to maintain.
When and if spiritual beings make themselves visible either to our bodily eyes or to our inward vision, their object would be thwarted were they not to appear in a recognizable form; so that their appearance would take the shape of the body and clothing to which we have been accustomed. Materiality, form, and space, I am constrained to believe, are temporary conditions of our present existence. It is difficult to conceive the idea of a spiritual being having a body like ours, conditioned by the exact gravitating force exerted by the earth, and with organs which presuppose the need for food and necessity for the removal of waste products. It is equally difficult, hemmed in and bound round as we are by materialistic ideas, to think of intelligence, thought, and will existing without form or matter and untrammeled by gravitation or space.William Crookes
Fantasy allows you to shine a different kind of light on human beings. I believe the only valid use of fantasy is to illustrate important human themes. Magic in my novels is used in three ways: the simplest is as a metaphor for technology. A good example is a magic carpet. There's no magic carpet in my novels, but if someone needs to travel a great distance, they could use a magic carpet, while in a contemporary novel they'd use a car. The second way, and I think the most important, is as a metaphor for individuality and individual ability. The mediocre world doesn't want individuals to rise above what everyone else is doing. The third way I use magic is as a metaphor for coming out of an age of mysticism into a Renaissance. So, in a way it's the struggle between the Dark Ages and the Renaissance. ... I never allow my characters to use magic to solve their problems. Some of their peripheral problems are solved through their magical abilities, but it's couched in terms of overcoming those problems in a thinking way. The major conflicts in the books are always solved through human intellect, through thinking out the problem and coming up with a solution. It's never "I'll just wave my magic wand over the bad guys and have them all fall down dead!"
Terry Goodkind
J. Kepler was the first (that I know of) that discover'd the true cause of the Tide, and he explains it largely in his Introduction to the Physics of the Heavens, given in his Commentaries to the Motion of the Planet Mars, where after he has shewn the Gravity or Gravitation of all Bodies towards another, he thus writes: "The Orb of the attracting Power, which is in the Moon is extended as far as the Earth, and draws the Waters under the Torrid Zone, acting upon places where it is vertical, insensibly on included Seas, but sensibly on the Ocean, whose Beds are large, and the Waters have the liberty of reciprocation, that is, of rising and falling"; and in the 70th Page of his Lunar Astronomy,—"But the cause of the Tides of the Sea appear to be the Bodies of the Sun and Moon drawing the Waters of the Sea."
Johannes Kepler
The days and weeks before a true commitment to Jesus can be terrible and lonely. I think I was feeling bitter about the human experience. I never asked to be human. Nobody can to the womb and explainted the situation to me, asking for my permission to go into the world and live and breathe and eat and feel joy and pain. I started thinking about how odd it was to be human, how we are stuck inside this skin, forced to be attracted to the opposite sex, forced to eat food, and use the rest room and then stuck to the earth by gravity. I spent an entire week feeling bitter because I couldn't breathe underwater. I told God I wanted to be a fish. I also felt a little bitter about sleep. Why do we have to sleep? I wanted to be able to stay awake for as long as I wanted, but God had put me in this body that had to sleep. Life no longer seemed like and experience of freedom.
Don Miller
Crookes, William
Crosby, Fanny
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