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Too nicely Jonson knew the critic's part;
Nature in him was almost lost in Art.
--
To Sir Thomas Hammer on his Edition of Shakespeare.

 

William Collins

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Now I know I have already lost you. I have lost everything. Even so, I can't let you go forever and allow you to forget me without letting you know that I don't bear you any grudge, that I knew it from the start, I knew that I was going to lose you and that you would never see in me what I see in you. I want you to know that I loved you from the very first day and that I still love you, now more than ever, even if you don't want me to.

 

Carlos Ruiz Zafon

 

Sketching from nature is very like trying to put a pinch of salt on her tail. And yet many manage to do it very nicely.

 

Samuel (novelist Butler

 

A few months ago I read an interview with a critic; a well-known critic; an unusually humane and intelligent critic. The interviewer had just said that the critic “sounded like a happy man”, and the interview was drawing to a close; the critic said, ending it all: “I read, but I don’t get any time to read at whim. All the reading I do is in order to write or teach, and I resent it. We have no TV, and I don’t listen to the radio or records, or go to art galleries or the theater. I’m a completely negative personality.”
As I thought of that busy, artless life—no records, no paintings, no plays, no books except those you lecture on or write articles about—I was so depressed that I went back over the interview looking for some bright spot, and I found it, one beautiful sentence: for a moment I had left the gray, dutiful world of the professional critic, and was back in the sunlight and shadow, the unconsidered joys, the unreasoned sorrows, of ordinary readers and writers, amateurishly reading and writing “at whim”. The critic said that once a year he read Kim, it was plain, at whim: not to teach, not to criticize, just for love—he read it, as Kipling wrote it, just because he liked to, wanted to, couldn’t help himself. To him it wasn’t a means to a lecture or an article, it was an end; he read it not for anything he could get out of it, but for itself. And isn’t this what the work of art demands of us? The work of art, Rilke said, says to us always: You must change your life. It demands of us that we too see things as ends, not as means—that we too know them and love them for their own sake. This change is beyond us, perhaps, during the active, greedy, and powerful hours of our lives, but during the contemplative and sympathetic hours of our reading, our listening, our looking, it is surely within our power, if we choose to make it so, if we choose to let one part of our nature follow its natural desires. So I say to you, for a closing sentence: Read at whim! read at whim!

 

Randall Jarrell

 

I stood in front of a hundred and one critics at a critic's convention and a critic asked me, "Miss Cho, isn't it true that your management asked you to lose weight to play the part of yourself in your own TV show?" Gail [the producer] grabbed the mike from me and said, "There is no truth in that whatsoever." I...was so...hungry.

 

Margaret Cho

 

I saw that our nature is in God whole: in which He maketh diversities flowing out of Him to work His will: whom Nature keepeth, and Mercy and Grace restoreth and fulfilleth. And of these none shall perish: for our nature that is the higher part is knit to God, in the making; and God is knit to our nature that is the lower part, in our flesh-taking: and thus in Christ our two natures are oned.

 

Julian of Norwich