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Weird Al Yankovic

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What kind of morons do you have working at newspapers in Austin that would base an entire review of an artist's performance on whether or not they had a good seat?
--
Replying to a fan criticising the poor seats a reviewer of a concert received. "Ask Al" Q&As for September 6, 2004

 
Weird Al Yankovic

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This rivality was really building from the people of the newspapers and the fans. But I think it was very good for both of us, because the publicity was so big and it created a very big interest about me and Maria and was very good in the end. But I don’t know why they put this kind of rivality, because the voice was very different. She was really something unusual. And I remember that I was very young artist too, and I stayed near the radio every time that I know that there was something on radio by Maria. The most fantastic thing was the possibility for her to sing the soprano coloratura with this big voice! This was something really special. Fantastic absolutely!

 
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I saw every performance Nijinsky danced in New York, and I see every baseball game I can get to. You watch a good second baseman digging for a badly thrown ball without letting his foot leave base and it's the same beautiful impossibility as a good pas de deux in Swan Lake.

 
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Base words are uttered only by the base
And can for such at once be understood;
But noble platitudes — ah, there's a case
Where the most careful scrutiny is needed
To tell a voice that's genuinely good
From one that's base but merely has succeeded.

 
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