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Wassily Kandinsky

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The geometric line is an invisible thing. It is the track made by the moving point; that is, its product. It is created by movement – specifically through the destruction of the intense self-contained repose of the point. Here, the leap out of the static to the dynamic occurs. […] The forces coming from without which transform the point into a line, can be very diverse. The variation in lines depends upon the number of these forces and upon their combinations.
--
Kandinsky, Point and line to plane, Munich, 1926

 
Wassily Kandinsky

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How could one argue with a man who was always drawing lines and circles to explain the position; who, one day, drew a diagram [here Michael illustrated with pen and paper] saying 'take a point A, draw a straight line to point B, now three-fourths of the way up the line take a point C. The straight line AB is the road to the Republic; C is where we have got to along the road, we canot move any further along the straight road to our goal B; take a point out there, D [off the line AB]. Now if we bend the line a bit from C to D then we can bend it a little further, to another point E and if we can bend it to CE that will get us around Cathal Brugha which is what we want!' How could you talk to a man like that?

 
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The geometric point is an invisible thing. Therefore, it must be defined as an incorporeal thing. Considered in terms of substance, it equals zero. […] Thus we look upon the geometric point as the ultimate and most singular union of silence and speech. The geometric point has, therefore, been given its material form, in the first instance, in writing. It belongs to language and signifies silence.

 
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Neither the circle without the line, nor the line without the point, can be artificially produced. It is, therefore, by virtue of the point and the Monad that all things commence to emerge in principle.
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