He was a very dispirited Poet. He had never expected the world to act in a courteous, seemly, or even sensible manner, and the world had seldom done so; often he had taken heart in the consistency of its rudeness and stupidity. But never before had the world shot the Poet in the abdomen with a musket. This he found not heartening at all. ~ Ch 23
Walter M. Miller (Jr.)
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At bottom, it is the Poet's first gift, as it is all men's, that he have intellect enough. He will be a Poet if he have: a Poet in word; or failing that, perhaps still better, a Poet in act. Whether he write at all; and if so, whether in prose or in verse, will depend on accidents: who knows on what extremely trivial accidents, — perhaps on his having had a singing-master, on his being taught to sing in his boyhood! But the faculty which enables him to discern the inner heart of things, and the harmony that dwells there (for whatsoever exists has a harmony in the heart of it, or it would not hold together and exist), is not the result of habits or accidents, but the gift of Nature herself; the primary outfit for a Heroic Man in what sort soever. To the Poet, as to every other, we say first of all, See. If you cannot do that, it is of no use to keep stringing rhymes together, jingling sensibilities against each other, and name yourself a Poet; there is no hope for you. If you can, there is, in prose or verse, in action or speculation, all manner of hope. The crabbed old Schoolmaster used to ask, when they brought him a new pupil, 'But are ye sure he's not a dunce?' Why, really one might ask the same thing, in regard to every man proposed for whatsoever function; and consider it as the one inquiry needful: Are ye sure he's.
Thomas Carlyle
Nowadays when a poet with one privately printed book can have his next three years taken care of by a Guggenheim fellowship, a Kenyon Review fellowship, and the Prix de Rome, it is hard to remember what chances the poet took in that small-town world, how precariously hand-to-mouth his existence was. And yet in one way the old days were better; [Vachel] Lindsay after a while, by luck and skill, got far more readers than any poet could get today.
Randall Jarrell
Hughes began (The Hawk in the Rain, 1957; Lupercal, 1960) as an elemental poet of power; he was inchoate, but fruitfully aware both of the brute force of creation and of the natural world. Then a naive (q.v.) poet — he began to assume a mantic role; he has now turned into (Crow, 1970) a pretentious, coffee-table poet, a mindless celebrant of instinct.
Ted Hughes
When a poet is being a poet — that is, when he is writing or thinking about writing — he cannot be concerned with anything but the making of a poem. If the poem is to turn out well, the poet cannot have thought of whether it will be saleable, or of what its effect on the world should be; he cannot think of whether it will bring him honor, or advance a cause, or comfort someone in sorrow. All such considerations, whether silly or generous, would be merely intrusive; for, psychologically speaking, the end of writing is the poem itself.
Richard Wilbur
No one passes in the world as skilled in verse unless he has put up the sign of a poet, a mathematician, &c. But educated people do not want a sign, and draw little distinction between the trade of a poet and that of an embroiderer. 34
Blaise Pascal
Miller, Walter M. (Jr.)
Miller, Wentworth
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