Materialism is the recognition of "objects in themselves", or outside the mind; ideas and sensations are copies of images of those objects.
Vladimir Lenin
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According to the technical language of old writers, a thing and its qualities are described as subject and attributes; and thus a man’s faculties and acts are attributes of which he is the subject. The mind is the subject in which ideas inhere. Moreover, the man’s faculties and acts are employed upon external objects; and from objects all his sensations arise. Hence the part of a man’s knowledge which belongs to his own mind, is subjective: that which flows in upon him from the world external to him, is objective.
William Whewell
As you are aware, no perceptions obtained by the senses are merely sensations impressed on our nervous systems. A peculiar intellectual activity is required to pass from a nervous sensation to the conception of an external object, which the sensation has aroused. The sensations of our nerves of sense are mere symbols indicating certain external objects, and it is usually only after considerable practice that we acquire the power of drawing correct conclusions from our sensations respecting the corresponding objects.
Hermann von Helmholtz
To insist that mind is originally passive and empty was one way of glorifying te possibilities of education. If the mind was a wax tablet to be written upon by objects, there were no limits to the possibility of education by means of the natural environment. And since the natural world of objects is a scene of harmonious "truth," this the education would infallibly produce minds filled with the truth.
John Dewey
Any ideas expressed on this record should not be taken as representing Mr. Lehrer's true convictions, for indeed he has none. "If anyone objects to any statement I make," he has said, "I am quite prepared not only to retract it, but also to deny under oath that I ever made it."
Tom Lehrer
There is a popular superstition that "realism" asserts itself in the cataloguing of a great number of material objects, in explaining mechanical processes, the methods of operating manufactories and trades, and in minutely and unsparingly describing physical sensations. But is not realism, more than it is anything else, an attitude of mind on the part of the writer toward his material, a vague indication of the sympathy and candour with which he accepts, rather than chooses, his theme?
Willa Cather
Lenin, Vladimir
Lennon, Florence Becker
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