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Furthermore, since I have observed that our citizens are distracted with public affairs and private business, I have thought it best to write briefly, so that my readers, whose intervals of leisure are small, may be able to comprehend in a short time.
--
Introduction, Sec. 3

 

Vitruvius

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If you're going to make a living at this business - more importantly, if you're going to write anything that will last - you have to realise that a lot of the time, you're going to be writing without inspiration. The trick is to write just as well without it as with. Of course, you write less readily and fluently without it; but the interesting thing is to look at the private journals and letters of great writers and see how much of the time they just had to do without inspiration. Conrad, for example, groaned at the desperate emptiness of the pages he faced; and yet he managed to cover them. Amateurs think that if they were inspired all the time, they could be professionals. Professional know that if they relied on inspiration, they'd be amateurs.

 

Philip Pullman

 

I feel that what is wrong with scores of modern novels which show literary quality, but which are repellent and depressing to the spirit is not that the writers have rejected a morality, but that they have one which is unexamined, trivial, and lopsided. They have a base concept of life; they bring immense gusto to their portrayals of what is perverse, shabby, and sordid, but they have no clear notion of what is Evil; the idea of Good is unattractive to them, and when they have to deal with it, they do so in terms of the sentimental or the merely pathetic. Briefly, some of them write very well, but they write from base minds that have been unimproved by thought or instruction. They feel, but they do not think. And the readers to whom they appeal are the products of our modern universal literacy, whose feeling is confused and muddled by just such reading, and who have been deluded that their mental processes are indeed a kind of thought.

 

Robertson Davies

 

So little was there of the propagandist in him that he never seemed much interested in the fate of his work. He once wrote me a remarkable letter of advice in which he expressed succinctly his idea of a writer's duty to himself: "Write what you want to write, as well as you can, and then forget it." ... But he wrote that little "as well as he could," and that was well indeed; so well that while there are still a few who love freedom, wisdom, excellence of thought and style, those few will be his readers. And they are the only readers he would want.

 

Albert Jay Nock

 

'Tis our true policy to steer clear of permanent alliances with any portion of the foreign world; so far, I mean, as we are now at liberty to do it; for let me not be understood as capable of patronizing infidelity to existing engagements. I hold the maxim no less applicable to public than to private affairs, that honesty is always the best policy. I repeat it, therefore, let those engagements be observed in their genuine sense. But, in my opinion, it is unnecessary and would be unwise to extend them.

 

George Washington

 

Part of life has a public orientation, but part of it does not. He has a private self that looks inward, and he should be able to feel with some distinctness the difference between public and private roles. It strikes me that those eighteenth century individuals who wrote letters to the newspapers signed “Publius” or something like that, were giving expression to this difference. When the writer appeared before the public in the common interest, he was conscious of stepping outside of his private considerations and entering into another capacity, of assuming a posture. The rest of the time he was his own man, which his thoughts and feelings reserved for himself.

 

Richard Weaver