There are also several quarries called Anician in the territory of Tarquinii, the stone being of the color of peperino. ...Neither the season of frost nor exposure to fire can harm it, but it remains solid and lasts to a great age, because there is only a little air and fire in its natural composition, a moderate amount of moisture, and a great deal of the earthy. Hence its structure is of close texture and solid, and so it cannot be injured by the weather or by the force of fire. Monuments in the neighborhood of the town of Ferento which are made of stone from these quarries... gracefully carved. Old as these are, they look as fresh as if they were only just finished. Bronze workers, also, make molds for the casting of bronze out of stone from these quarries and find it very useful in bronze-founding.
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Chapter VII, Sec. 3-4Vitruvius
Travertine and all stone of that class can stand injury whether from a heavy load laid upon it or from the weather; exposure to fire, however, it cannot bear, but splits and cracks to pieces at once. This is because in its natural composition there is but little moisture and not much of the earthy, but a great deal of air and of fire. Therefore, it is not only without the earthy and watery elements, but when fire, expelling the air from it by the operation and force of heat, penetrates into its inmost parts and occupies the empty spaces of the fissures there comes a great glow and the stone is made to burn as fiercely as do the particles of fire itself.
Vitruvius
The larch... is not only preserved from decay and the worm by the great bitterness of its sap, but also it cannot be kindled with fire nor ignite of itself, unless like stone in a limekiln it is burned with other wood. ...This is because there is a very small proportion of the elements of fire and air in its composition, which is a dense and solid mass of moisture and the earthy, so that it has no open pores through which fire can find its way... Further, its weight will not let it float in water.
Vitruvius
The reason why lime makes a solid structure on being combined with water and sand seems to be this: that rocks, like all other bodies, are composed of the four elements. Those which contain a larger proportion of air, are soft; of water, are tough from the moisture; of earth, hard; and of fire, more brittle. Therefore, if limestone, without being burned, is merely pounded up small and then mixed with sand and so put into the work, the mass does not solidify nor can it hold together. But if the stone is first thrown into the kiln, it loses its former property of solidity by exposure to the great heat of the fire, and so with its strength burnt out and exhausted it is left with its pores open and empty. Hence, the moisture and air in the body of the stone being burned out and set free, and only a residuum of heat being left lying in it, if the stone is then immersed in water, the moisture, before the water can feel the influence of the fire, makes its way into the open pores; then the stone begins to get hot, and finally, after it cools off, the heat is rejected from the body of the lime.
Vitruvius
Since, on account of the proximity of the stone-quarries... nearest to the city, necessity drives us to make use of their products, we must proceed as follows if we wish our work to be finished without flaws. Let the stone be taken from the quarry two years before building is to begin, and not in winter, but in summer. Then let it lie exposed in an open place. Such stone as been damaged by the two years of exposure should be used in the foundations. The rest, which remains unhurt, has passed the test of nature and will endure in those parts of the building which are above ground. This precaution should be observed, not only with dimension stone, but also with the rubble which is to be used in walls.
Vitruvius
The stone in quarries is found to be of different and unlike qualities. In some it is soft... in others it is medium... in still others it is hard as in lava quarries. There are also numerous other kinds: for instance, in Campania, red and black tufas; in Umbria, Picenum, and Venetia, white tufa which can be cut with a toothed saw like wood.
Vitruvius
Vitruvius
Vitter, David
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