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Vanna Bonta

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Pushing fear and sex buttons is a poor substitute for aesthetic elation, transcendental euphoria and quintessential stimulation.

 
Vanna Bonta

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Hendrix had conjured – with his vision and sense of sound, his personality and genius – the most extraordinary guitar music ever played, the most remarkable sound-scape ever created; of that there is little argument. Opinion varies only over the effect his music has on people: elation, fear, sexual stimulation, sublimation, disgust – all or none of these – but always drop-jawed amazement.

 
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Everyone on the set has a mobile phone, and I found by pushing a few buttons, they could be programmed into different languages. I fixed Robbie's (Coltrane) to speak in Turkish.

 
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Then she generated the light, and the sight of her room, flooded with radiance and studded with electric buttons, revived her. There were buttons and switches everywhere — buttons to call for food for music, for clothing. There was the hot-bath button, by pressure of which a basin of (imitation) marble rose out of the floor, filled to the brim with a warm deodorized liquid. There was the cold-bath button. There was the button that produced literature. and there were of course the buttons by which she communicated with her friends. The room, though it contained nothing, was in touch with all that she cared for in the world.

 
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Everything you want should be yours: the type of work you want; the relationships you need; the social, mental, and aesthetic stimulation that will make you happy and fulfilled; the money you require for the lifestyle that is appropriate to you; and any requirement that you may (or may not) have for achievement or service to others. If you don’t aim for it all, you’ll never get it all. To aim for it requires that you know what you want

 
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The romantics were prompted to seek exotic subjects and to travel to far off places. They failed to realize that, though the transcendental must involve the strange and unfamiliar, not everything strange or unfamiliar is transcendental. The unfriendliness of society to his activity is difficult for the artists to accept. Yet this very hostility can act as a lever for true liberation… ..Both the sense of community and of security depend on the familiar. Free of them, transcendental experiences become possible.

 
Mark Rothko
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