Through characters, non-linear plot lines, or the involvement of multiple dimensions, it ultimately witnesses the physical world as inextricable from consciousness or the observer of that world.
Vanna Bonta
Childhood lays itself out, like a novel, he suggests, complete with central observer, fixed characters, and linear plot. Later, life disperses itself into anecdotes. At twenty-one, it no longer strictly matters whether the author went first to Ireland and then to Spain, or Spain first. And after thirty, he could stitch the pages in backward for all we care.
Wilfrid Sheed
I find poetic links, the logic of poetry in cinema, extraordinarily pleasing. They seem to me prefectly appropriate to the potential of cinema as the most truthful and poetic of art forms. Certainly I am more at home with them than with traditional theatrical writing which links images through the linear rigid logical development of plot. That sort of fussily correct way of linking events usually involves arbitrarily forcing them into sequence in obedience to some abstract notion of order. And even when this is not so, even when the plot is governed by the characters, one finds that the links which hold it together rest on a facile interpretation of life's complexities.
Andrei Tarkovsky
It seemed clear to me that life and the world somehow depended upon me now. I may almost say that the world now seemed created for me alone: if I shot myself the world would cease to be at least for me. I say nothing of its being likely that nothing will exist for anyone when I am gone, and that as soon as my consciousness is extinguished the whole world will vanish too and become void like a phantom, as a mere appurtenance of my consciousness, for possibly all this world and all these people are only me myself.
Fyodor Dostoevsky
Orbs are an extension of consciousness. When we are not in the physical form, we often travel in a light sphere. It’s way beyond the nuts and bolts to understand this kind of science. In the universe we live in, we can measure less than one percent [of existing reality], and physicists believe there’s another 99 percent out there we cannot measure. There are other planes, other dimensions, and the orbs are a byproduct of these planes and dimensions.
James Gilliland
Unlike most wars, which make rotten fiction in themselves — all plot and no characters, or made-up characters — Vietnam seems to be the perfect mix: the characters make the war, and the war unmakes the characters. The gods, fates, furies had a relatively small hand in it. The mess was man-made, a synthetic, by think tank out of briefing session.
Wilfrid Sheed
Bonta, Vanna
Bookchin, Murray
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