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"You can't relate to a superhero, to a superman, but you can identify with a real man who in times of crisis draws forth some extraordinary quality from within himself and triumphs but only after a struggle."

 

Timothy Dalton

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In the January, 1933 issue of "SCIENCE FICTION" appeared a story I had written in 1932 entitled, "The Reign of the Superman." I used the pseudonym "Herbert S. Fine" which combined the name of a cousin of mine together with my mother's maiden name.
After the publication of "Reign of the Superman", it occurred to me that a different version of Superman could be the basis of an extremely powerful and successful comic book. And so I originated, together with Joe Shuster, the comic book "THE SUPERMAN", back in 1933.

 

Jerry Siegel

 

"The Joker was Batman's nemesis, but-ironically-his archenemy was Superman, since Superman made Batman entirely mortal and generally nonessential. Nobody likes to admit this, but Batman f**king hated Superman; Superman is the reason Batman became an alcoholic."

 

Chuck Klosterman

 

I just lived daily with my parents fighting against the bomb, the idea that this thing when it happens, we'd be obliterated, forever. & then for me the big thing was discovering superhero comics, because suddenly, there were people who could stop the bomb, Superman could take an atom bomb hit to the chest & just shake it off... so all that reflects on me, the moment you realise that the bomb, before it was a bomb, was an idea, & suddenly that understanding: Superman was a better idea, so why not make that one real instead of that one? (2010, on Grant Morrison: Talking with Gods)

 

Grant Morrison

 

[Director Christopher] Nolan has not only crafted the best Batman movie, but arguably the second-best motion picture superhero narrative (topped only by the linked duo of Superman and Superman II). For those who thought Spider-Man and X-Men had a lot to offer, wait till you see where this film goes. ... Batman Begins is a strong re-start to a franchise that deserves better than it has often been accorded.

 

James Berardinelli

 

Burgess's Shakespeare is not a patient empire builder or visionary, but rather an unhappy man caught in an unenviable position, at the midlife crisis age of forty-six. … Burgess's point may well be that literary quality is not always recognized during one's lifetime … due to an ill-advised display of his wit in the presence of the king, Shakespeare is currently out of favor. … Particularly ingenious in Burgess's story is the way Shakepeare even hides his name in the text of the psalm. As he is forty-six years of age, he chooses Psalm 46; he counts to the forty-sixth word, replaces it by "shake"' then he starts at the end, counts forty-six words backwards (leaving out of the account the cadential "selah"), and changes that word into "speare." The surprising thing is, that the evidence shoring up this highly unlikely scenario is in itself authentic: in Psalm 46 AV, the forty-sixth word really is "shake", the forty-sixth word from the end (not counting "selah") being spear.
Although Burgess's Shakespeare revises the psalm for wholly selfish ends, out of defiance and sinful pride, he does not thereby lose our sympathy. Unlike Kiping's self-confident sahib, he is not a superman that can lead nations; rather, in his everyday struggle with political realities, an unhappy marriage, and uncomprehending neighbors, he is a modern antihero whom we cannot begrudge his one moment of triumph. … For Burgess, art is the result of suffering between the hammer of what is and the anvil of what should be. He projects that vision on Shakespeare, whose drive for self-realization, impeded by his surroundings, finds an outlet in this act of creativity.

 

William Shakespeare