A science fiction story is a story built around human beings, with a human problem and a human solution, which would not have happened at all without its scientific content.
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As quoted in The Issue at Hand : Studies in Contemporary Magazine Science Fiction (1964) by James Blish, p. 14Theodore Sturgeon
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To this end we now need many preparatory courageous human beings who cannot very well leap out of nothing — any more than out of the sand and slime of present-day civilization and metropolitanism: human beings who know how to be silent, lonely, resolute, and content and constant in invisible activities; human beings who are bent on seeking in all things for what in them must be overcome; human beings distinguished as much by cheerfulness, patience, unpretentiousness, and contempt for all great vanities as by magnanimity in victory and forbearance regarding the small vanities of the vanquished; human beings whose judgment concerning all victors and the share of chance in every victory and fame is sharp and free; human beings with their own festivals, their own working days, and their own periods of mourning, accustomed to command with assurance but instantly ready to obey when that is called for, equally proud, equally serving their own cause in both cases; more endangered human beings, more fruitful human beings, happier beings!
Friedrich Nietzsche
Novelists when they write novels tend to take an almost godlike attitude toward their subject, pretending to a total comprehension of the story, a man's life, which they can therefore recount as God Himself might, nothing standing between them and the naked truth, the entire story meaningful in every detail. I am as little able to do this as the novelist is, even though my story is more important to me than any novelist's is to him — for this is my story; it is the story of a man, not of an invented, or possible, or idealized, or otherwise absent figure, but of a unique being of flesh and blood. Yet, what a real living human being is made of seems to be less understood today than at any time before, and men — each one of whom represents a unique and valuable experiment on the part of nature — are therefore shot wholesale nowadays. If we were not something more than unique human beings, if each one of us could really be done away with once and for all by a single bullet, story telling would lose all purpose. But every man is more than just himself; he also represents the unique, the very special and always significant and remarkable point at which the world's phenomena intersect, only once in this way and never again. That is why every man's story is important, eternal, sacred; that is why every man, as long as he lives and fulfills the will of nature, is wondrous, and worthy of every consideration. In each individual the spirit has become flesh, in each man the creation suffers, within each one a redeemer is nailed to the cross.
Few people nowadays know what man is. Many sense this ignorance and die the more easily because of it, the same way that I will die more easily once I have completed this story.Hermann Hesse
Which brings us to the arts, whose purpose, in common with astrology, is to use frauds in order to make human beings seem more wonderful than they really are. Dancers show us human beings who move much more gracefully than human beings really move. Films and books and plays show us people talking much more entertainingly than people really talk, make paltry human enterprises seem important. Singers and musicians show us human beings making sounds far more lovely than human beings really make. Architects give us temples in which something marvelous is obviously going on. Actually, practically nothing is going on inside. And on and on.
Kurt Vonnegut
Quantum fiction is any story that witnesses life and the human experience on a subatomic level.
Vanna Bonta
What are the hallmarks of a competent writer of fiction? The first, it seems to me, is that he should be immensely interested in human beings, and have an eye sharp enough to see into them, and a hand clever enough to draw them as they are. The second is that he should be able to set them in imaginary situations which display the contents of their psyches effectively, and so carry his reader swiftly and pleasantly from point to point of what is called a good story.
H. L. Mencken
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