There comes a part where the money and the creative elements all come crashing together. Everybody's under a lot of pressure, and everybody is panicking about what works and what doesn't. And the studios and the money always have one perspective and the creative people have another one, and usually what happens is a lot of compromises get made. I decided not to. I walked off and did Tideland and came back six months later.
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As quoted in the New York Times article Terry Gilliam's Feel-Good Endings (14 August 2005)Terry Gilliam
» Terry Gilliam - all quotes »
You know, whenever you do something new and original, people run to see it because it's different. Then, if it happens to be successful, the studios rush to imitate it. It becomes commonplace right away. But it's been like that before, I think. Now, the stakes are so gigantic that they cut each other's throats. So if most of the films are failures, then those that succeed so spectacularly, so commercially, become the norm. It's like a roulette for the studios. The problem with it is that it becomes more and more of a committee. Before, you dealt with the studio. It had one or two persons and now you have masses of executives who have to justify their existence and write so-called "creative notes" and have creative meetings. They obsess about the word creative probably because they aren't.
Roman Polanski
To walk in money through the night crowd, protected by money, lulled by money, dulled by money, the crowd itself a money, the breath money, no least single object anywhere that is not money, money, money everywhere and still not enough, and then no money or a little money or less money or more money, but money, always money, and if you have money or you don't have money it is the money that counts and money makes money, but what makes money make money?
Henry Miller
The studios have their list of five actresses and whether they’re right or wrong for a role doesn’t matter. It’s how much money their last movie made.
Sherilyn Fenn
The conglomerate heads may be business geniuses, but as far as movies are concerned they have virgin instincts; ideas that are new to them and take them by storm may have failed grotesquely dozens of times. But they feel that they are creative people — how else could they have made so much money and be in a position to advise artists what to do? Who is to tell them no?
Pauline Kael
There's an attitude or a view that the money parents pay in school fees should go to the core business of teaching and learning, and any money that doesn't go there is somehow less-than-appropriate spending. The same attitude doesn't come into play when you go to the supermarket - you just accept that some money will go to advertising... We just want to keep our name there in people's minds.
Simon Gipson
Gilliam, Terry
Gillibrand, Kirsten
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