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Little Archie’s story is darker, more desperate, and yet drearily familiar.
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p. 115

 

Stephen R. Lawhead

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You can't tell yet. We're a bad part of the story, the unliked. Of course there's the basic difference, which is the form of how each one treats the project and everyone knows that the story will become much darker from now on. What I thought was interesting, is that Alfonso showed us that there should be more fear. Harry's more powerful each time. We're not a threat to him anymore. Now he can act on his own, in a frightening way. In the beginning, we were evil. Now, we want to be, but we don't have this power anymore. We were scared all the time, that Harry was gonna do something to us.

 

Richard Griffiths

 

As a science fiction fan, I have long been very familiar with the various themes in the field. The superman theme has been one of them ever since Samson and Hercules. I just sat down and wrote a story of that type — only in this first story, the Superman was a villain.
A couple of months after I published this story, it occurred to me that a Superman as a hero rather than as a villain might make a great comic strip character in the vein of Tarzan, only more super and sensational than that great character. Joe and I drew it up as a comic book.

 

Jerry Siegel

 

I'm still not that familiar with it [Intelligent Design]. I'm more familiar with it than most people, but nowhere near as familiar with it as a genuine expert in the subject. I don't pretend to be a scientist. I'm the person who moderates the discussion between and among the scientists.

 

Ben Stein

 

All these tattered old bits and pieces have a history and a meaning. A group of them together can seem like the traces left by an ionizing particle in a bubble chamber: they draw the line of a path taken by something too mysterious to see. That path is a story, of course. What scientists do when they look at the line of bubbles on the screen is work out the story of the particle that made them: what sort of particle it must have been, and what caused it to move in that way, and how long it was likely to continue.
Dr. Mary Malone would have been familiar with that sort of story in the course of her search for dark matter. But it might not have occurred to her, for example, when she sent a postcard to an old friend shortly after arriving in Oxford for the first time, that that card itself would trace part of a story that hadn't yet happened when she wrote it. Perhaps some particles move backward in time; perhaps the future affects the past in some way we don't understand; or perhaps the universe is simply more aware than we are. There are many things we haven't yet learned how to read.
The story in this book is partly about that very process.

 

Philip Pullman

 

Tell me a story.
In this century, and moment, of mania,
Tell me a story.
Make it a story of great distances, and starlight.
The name of the story will be Time,
But you must not pronounce its name.
Tell me a story of deep delight.

 

Robert Penn Warren