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Not to go on for ever repeating what man has already done is our work, but to arrive at new realisations and undreamed-of masteries. Time and soul and world are given us for our field, vision and hope and creative imagination stand for our prompters, will and thought and labour are our all-effective instruments.

 

Sri Aurobindo

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Willard Gibbs is the type of the imagination at work in the world. His story is that of an opening up which has had its effect on our lives and our thinking; and, it seems to me, it is the emblem of the naked imagination —which is called abstract and impractical, but whose discoveries can be used by anyone who is interested, in whatever "field"— an imagination which for me, more than that of any other figure in American thought, any poet, or political, or religious figure, stands for imagination at its essential points.

 

Josiah Willard Gibbs

 

There are heaps of things I would like to do, but there is no time to do them. The most gorgeous ideas float before the imagination, but time, money, and alas! inspiration to complete them do not arrive, and for any work to be really valuable we must have time to brood and dream a little over it, or else it is bloodless and does not draw forth the God light in those who read. I believe myself, that there is a great deal too much hasty writing in our magazines and pamphlets. No matter how kindly and well disposed we are when we write we cannot get rid of the essential conditions under which really good literature is produced, love for the art of expression in itself; a feeling for the music of sentences, so that they become mantrams, and the thought sings its way into the soul. To get this, one has to spend what seems a disproportionate time in dreaming over and making the art and workmanship as perfect as possible.
I could if I wanted, sit down and write steadily and without any soul; but my conscience would hurt me just as much as if I had stolen money or committed some immorality. To do even a ballad as long as The Dream of the Children, takes months of thought, not about the ballad itself, but to absorb the atmosphere, the special current connected with the subject. When this is done the poem shapes itself readily enough; but without the long, previous brooding it would be no good. So you see, from my slow habit of mind and limited time it is all I can do to place monthly, my copy in the hands of my editor when he comes with a pathetic face to me.

 

George William Russell

 

I urge everybody to stay inside the Labour Party and fight to ensure that nothing like this ever happens again. There must now be a serious question over whether Frank can hope to beat Steven Norris on May 4 when Londoners will widely perceive the Labour nomination to have been stolen. The lesson of Wales is that our voters will not be taken for granted. A Labour campaign that was dead in the water from day one will limp on to polling day and never allow us to get on to the real issues that matter to Londoners, such as transport, unemployment and crime. In the interests of uniting the Labour party, I hope Frank Dobson will consider his position over the next few days. He must decide whether he is willing to accept this tainted result or stand down in the interests of Labour and London. Over the last six months Londoners have had to listen to politicians. Now it is time for politicians to listen to Londoners, and I shall be saying nothing further until I have had a chance to listen to Londoners.

 

Ken Livingstone

 

I'd first read Lovecraft when I was a young adolescent, which is perhaps the best time to read Lovecraft. Now, I admire him for his style, his monomaniacal precision, the 'weirdness' of his imagination, and the underlying, intransigent tragic vision that informs all of his work. He's an American original, whose influences on subsequent writers in the field (Stephen King, for instance) is all-pervasive.

 

H. P. Lovecraft

 

In any creative field--any creative field--you must first understand that you have no value whatsoever. Your work has no value whatsoever. You are completely worthless. Whatever potential you have is just that--potential--and when you are discussing self-publishing a comic book, you have about the same chance of success as 10 thousand others.

 

Dave Sim