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There is danger afoot-both of them, both the first self and the deeper self, notice it, and the latter sits there as concerned as the experienced pilot, while a secret council is held on whether it is best to throw the pilot overboard since he is creating a contrary wind. That, however, does not happen, but what is the outcome? The first self cannot move from the spot, and yet, yet it is clear that the moment of joy is in a hurry, that fortune is already in flight. Therefore people do indeed say that if one does not make use of the moment at once, it is soon too late. And who is to blame? Who else but the deeper self? But even this scream does not help. What kind of unnatural condition is this? What does it all mean?
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p. 316

 

Soren Aabye Kierkegaard

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The readiness to blame a dead pilot for an accident is nauseating, but it has been the tendency ever since I can remember. What pilot has not been in positions where he was in danger and where perfect judgment would have advised against going? But when a man is caught in such a position he is judged only by his error and seldom given credit for the times he has extricated himself from worse situations. Worst of all, blame is heaped upon him by other pilots, all of whom have been in parallel situations themselves, but without being caught in them. If one took no chances, one would not fly at all. Safety lies in the judgment of the chances one takes. That judgment, in turn, must rest upon one's outlook on life. Any coward can sit in his home and criticize a pilot for flying into a mountain in fog. But I would rather, by far, die on a mountainside than in bed. Why should we look for his errors when a brave man dies? Unless we can learn from his experience, there is no need to look for weakness. Rather, we should admire the courage and spirit in his life. What kind of man would live where there is no daring? And is life so dear that we should blame men for dying in adventure? Is there a better way to die?

 

Charles Lindbergh

 

I guess my first pilot was February of '96. I did a pilot with Kevin Pollak and his wife, Lucy Webb, for CBS, that was not picked up. And then I kind of started being more in the process. I kind of hung around, looking for work. Didn't do a pilot the next year, but in that time did this film called Southie that we shot in south Boston with these guys that I knew. But really was more focused on doing dramatic stuff. And then every year or couple of years doing, you know [with forced cheer] sitcom pilot!

 

Will Arnett

 

When a person turns and faces himself in order to understand himself, he steps, as it were, in the way of that first self, halts that which was turned outward in hankering for and seeking after the surrounding world that is its object, and summons it back from the external. In order to prompt the first self to this withdrawal, the deeper self lets the surrounding world remain what it is-remain dubious. This is indeed the way it is; the world around us is inconstant and can be changed into the opposite at any moment, and there is not one person who can force this change by his own might or by the conjuration of his wish. The deeper self now shapes the deceitful flexibility of the surrounding world in such a way that it is no longer attractive to the first self. Then the first self either must proceed to kill the deeper self, to render it forgotten, whereby the whole matter is given up; or it must admit that the deeper self is right, because to want to predicate constancy of something that continually changes is indeed a contradiction, and as soon as one confesses that it changes, it can of course, change in that same moment. However much that first self shrinks from this, there is no wordsmith so ingenious or no thought-twister so wily that he can invalidate the deeper self’s eternal claim. There is only one way out, and that is to silence the deeper self by letting the roar of inconstancy drown it out.

 

Soren Aabye Kierkegaard

 

"I think right now is the moment. This is the beginning. We don’t know what is it the moment of, and maybe something much crazier will happen. But really, we see the sunshine coming in. It was clouded for maybe a hundred years. Our whole condition was very sad, but we still feel warmth, and the life in our bodies can still tell that there is excitement in there, even though death is waiting. We had better not enjoy the moment, but create the moment."

 

Ai Weiwei

 

We are in the grip of some kind of an attractor, and when we look back at history, we can have a sense, I think, that we have never been here before. But we are so accustomed to causal thought, that we assume we have been pushed here, pushed here by historical necessity, by bad political decisions, by the vicissitudes of evolution (cultural and otherwise). I don’t think so. I think we have been pulled here, that we are under the aegis of a kind of an attractor. Some people would call it a “destiny”, but what it is is a dream that is pulling us deeper and deeper into the adventure of existential becoming. And faster and faster—that’s the other thing. Deeper and deeper, faster and faster, so that the rate of change that people were accustomed to before the Industrial Revolution, for example—we can barely conceive of such slow-moving, stately, meta-stable societies. On the other hand, within the 20th Century, the acceleration has been even more intense, and continues to accelerate.

 

Terence McKenna