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Sophie Scholl

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Somebody, after all, had to make a start. What we wrote and said is also believed by many others. They just don't dare express themselves as we did.
--
Statement to the Volksgerichtshof [People's Court] of Judge Roland Freisler (21 February 1943)

 
Sophie Scholl

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When I had first caught sight of Matthew I saw the beauty in everything. Now I saw only ugliness and decay. All beauty was in the past. Again and again I wrote in poems, in notes, on scraps of paper. My whole life stretched out gloriously behind me. If I wrote that sick phrase once, I wrote it fifty times. And I believed it, too.

 
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You spend months and months listening to the music, absorbing, practicing, working with real musicians who worked with them and getting as much of that as you can. And then the day you start shooting, you have to throw it all away. Because, they had no self-consciousness. They were natural performers and at that time, it wasn't about how you could synthesize a voice and make it appealing, it was about the natural little hiccups and the way you related a story or wrote the soul in the words you wrote. And 90% of your popularity was your performance and your interpretation of your own song. So, once we learned it all you just have to just kind of hope it all sunk in somewhere and just let it all go, cause they just had incredible confidence.

 
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Let the man who has to make his fortune in life remember this maxim. Attacking is his only secret. Dare, and the world always yields: or, if it beat you sometimes, dare again, and it will succumb.

 
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When entering the studio, I don't know what will happen. I do a so-called trip into myself: I sit down at the piano and the melody might start to evolve from my playing or then I might start to sing it. At that stage I do not yet have clear ideas about what kind of emotions I would like to express. Until I play the completed piece to Roma and Nicky and when I observe their reactions, the music gets its meaning...

 
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