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Sir Thomas Browne

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Life itself is but the shadow of death, and souls departed but the shadows of the living: All things fall under this name. The Sun itself is but the dark simulacrum, and the light but the shadow of God.
--
Ch. 4.

 
Sir Thomas Browne

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A shadow may be infinitely dark, and also of infinite degrees of absence of darkness. The beginnings and ends of shadow lie between the light and darkness and may be infinitely diminished and infinitely increased. Shadow is the means by which bodies display their form. The forms of bodies could not be understood in detail but for shadow.

 
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In everything that lives, if one looks searchingly, is limned the shadow line of an idea — an idea, dead or living, sometimes stronger when dead, with rigid, unswerving lines that mark the living embodiment with the stern immobile cast of the non-living. Daily we move among these unyielding shadows, less pierceable, more enduring than granite, with the blackness of ages in them, dominating living, changing bodies, with dead, unchanging souls. And we meet, also, living souls dominating dying bodies — living ideas regnant over decay and death. Do not imagine that I speak of human life alone. The stamp of persistent or of shifting Will is visible in the grass-blade rooted in its clod of earth, as in the gossamer web of being that floats and swims far over our heads in the free world of air.
Regnant ideas, everywhere! Did you ever see a dead vine bloom? I have seen it.

 
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Shadow is not the absence of light, merely the obstruction of the luminous rays by an opaque body. Shadow is of the nature of darkness. Light is of the nature of a luminous body; one conceals and the other reveals. They are always associated and inseparable from all objects. But shadow is a more powerful agent than light, for it can impede and entirely deprive bodies of their light, while light can never entirely expel shadow from a body, that is from an opaque body.

 
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Even in art, there is no light without shadows, and no shadows are cast without some light. Even the shadow of Adolf Hitler is accompanied by some light.

 
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The body which is nearest to the light casts the largest shadow, and why? If an object placed in front of a single light is very close to it you will see that it casts a very large shadow on the opposite wall, and the farther you remove the object from the light the smaller will the image of the shadow become.

 
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