Yquotes.com

 

She’s like a terribly sad angel in this film. Sherilyn plays against just being a sexy and beautiful girl. Hopefully her performance in my film will show her deep talent because she certainly showed the right mix of innocence and seductiveness for the role. We needed a fresh face but also one who knew what she was doing.
--
Gary Sinise, quoted in "Everybody's Mad about Sherilyn Fenn", by Jessica Sully. Movie (Australia). January 1993. p.18-20.
--
on Sherilyn Fenn's performance in Of Mice and Men.

 

Sherilyn Fenn

» Sherilyn Fenn - all quotes »

Similar quotes

 

Well you know, I don’t think I have never really seen a film of this genre, where the female characters' sex appeal sort of came second. I mean of course they’re sexy characters. When you have a sexy secretary, or a girl swinging around by her ankles in a cat suit, you know that’s innately sexy, but the fact is that these characters are intelligent. They’re ambitious. They’re motivated and calculated to some degree.

 

Scarlett Johansson

 

How do I pick a role? Well, primarily I think I would like to be part of a film that's progressive as well as entertaining, you know? Because in India we have a huge amount of audience that is not educated, and they really look up to films... So I think it's important to do a film... that's entertaining but has a message. And after that I'd like to do films that are different for me -- if I'm doing a love story then I want to do a war film, if I'm doing a war film then I want to do a story about an un-wed mother. I think variety is the spice of life.

 

Preity Zinta

 

When we experience a film, we consciously prime ourselves for illusion. Putting aside will and intellect, we make way for it in our imagination. The sequence of pictures plays directly on our feelings. Music works in the same fashion; I would say that there is no art form that has so much in common with film as music. Both affect our emotions directly, not via the intellect. And film is mainly rhythm; it is inhalation and exhalation in continuous sequence. Ever since childhood, music has been my great source of recreation and stimulation, and I often experience a film or play musically.

 

Ingmar Bergman

 

The major difference between Astaire and Kelly is a difference, not of talent or technique, but of levels of sophistication. On the face of it, Kelly looks the more sophisticated. Where Kelly has ideas, Astaire has dance steps. Where Kelly has smartly tailored, dramatically apt Comden and Green scripts, Astaire in the Thirties made do with formulas derived from nineteenth-century French Farce. But the Kelly film is no longer a dance film. It's a story film with dances, as distinguished from a dance film with a story. When Fred and Ginger go into their dance, you see it as a distinct formal entity, even if it's been elaborately built up to in the script. In a Kelly film, the plot action and the musical set pieces preserve a smooth community of high spirits, so that the pressure in a dance number will often seem too low, the dance itself plebeian or folksy in order to "match up" with the rest of the picture.

 

Fred Astaire

 

When I made my first film, I think the thing was probably helped me the most was that it was such an unusual thing to do in the early 50s for someone who actually go and make a film. People thought it was impossible. It really is terribly easy. All anybody needs is a camera, a tape recorder, and some imagination.

 

Stanley Kubrick