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Going to Ford's Theatre to watch the play is like going to Hooters for the food.
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p. 21

 

Sarah Vowell

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(As airplane pilot): Thank you for choosing Hooters Air today, if you take a look around you'll notice that the stewardesses are not actually hooters girls, we have replaced them with the usual pigs... This is Ester's 75th year with us, and you can see that she is so senile, she can't even use the seat belt. And that thing you see dragging behind her is her uterus, so please be careful as to avoid stepping on it and enjoy your flight.

 

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I sent for some dinner and there dined, Mrs. Margaret Pen being by, to whom I had spoke to go along with us to a play this afternoon, and then to the King's Theatre, where we saw 'Midsummer's Night's Dream', which I had never seen before, nor shall ever again, for it is the most insipid ridiculous play that ever I saw in my life.

 

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Dialectics in many different forms has a surprisingly good press. Most people believe that struggle is very important and that it is important to be on the right side in a conflict.... Part of the difficulty is that the human race has an enormous and by no means unreasonable passion for the dramatic, and conflict is much more dramatic than production....The awful truth about the universe - that it is not only rather a muddle, but also pretty dull - is wholly unacceptable to the human imagination. Nevertheless, it is the dull, nondialectical processes that hold the world together, that move it forward, and that provide the setting within which the dialectical processes take place. Evolution is the theatre, dialectics the play. It is a tragic error to mistake the play for the theatre, however, because that all too easily ends in the theatre burning down... Unless there is a reasonably widespread appreciation of the proper role of dialectical processes, these tend to get out of hand and become extremely destructive.... doing more harm than good.

 

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