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Here closed in death th' attentive eyes
That saw the manners in the face.
--
Epitaph on Hogarth (1786).

 

Samuel Johnson

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Attention is not concentration. When you concentrate, as most people try to do — what takes place when you are concentrating? You are cutting yourself off, resisting, pushing away every thought except that one particular thought, that one particular action. So your concentration breeds resistance, and therefore concentration does not bring freedom. Please, this is very simple if you observe it yourself. But whereas if you are attentive, attentive to everything that is going on about you, attentive to the dirt, the filth of the street, attentive to the bus which is so dirty, attentive of your words, your gestures, the way you talk to your boss, the way you talk to your servant, to the superior, to the inferior, the respect, the callousness to those below you, the words, the ideas — if you are attentive to all that, not correcting, then out of that attention you can know a different kind of concentration. You are then aware of the setting, the noise of the people, people talking over there on the roof, your hushing them up, asking them not to talk, turning your head; you are aware of the various colours, the costumes, and yet concentration is going on. Such concentration is not exclusive, in that there is no effort. Whereas mere concentration demands effort.

 

Jiddu Krishnamurti

 

I closed my eyes again, thinking of the Face. I had to force my mind to turn around in its tracks and look, for it didn't want to confront that infinite complexity again. The Face was painful to see. It was too intricate, too involved with emotions complex beyond our grasp. It was painful for the mind to think of it, straining to understand the inscrutable things that experience had etched upon those mountain-high features.
"Is it a portrait?" I asked suddenly. "Or a composite? What is the Face?"
"A city," De Kalb said. "A nation. The ultimate in human destiny — and a call for help. And much more that we'll never understand."

 

Henry Kuttner

 

His manners are to 99 in 100 singularly repulsive --; brow-hanging, shoe-contemplative, strange. [...] he is, I verily believe, kindly-nature; is very of, attentive to, and patient with children; but he is jealous, gloomy, and of an irritable pride -- and addicted to women, as objects of sexual indulgence.

 

William Hazlitt

 

When you wish to represent a man speaking to a number of people, consider the matter of which he has to treat and adapt his action to the subject. Thus, if he speaks persuasively, let his action be appropriate to it. If the matter in hand be to set forth an argument, let the speaker, with the fingers of the right hand hold one finger of the left hand, having the two smaller ones closed; and his face alert, and turned towards the people with mouth a little open, to look as though he spoke; and if he is sitting let him appear as though about to rise, with his head forward. If you represent him standing make him leaning slightly forward with body and head towards the people. These you must represent as silent and attentive, all looking at the orator's face with gestures of admiration; and make some old men in astonishment at the things they hear, with the corners of their mouths pulled down and drawn in, their cheeks full of furrows, and their eyebrows raised, and wrinkling the forehead where they meet.

 

Leonardo da Vinci

 

The more I write the less substance do I see in my work, ... It is tolerably awful. And I face it, I face it but the fright is growing on me. My fortitude is shaken by the view of the monster. It does not move; its eyes are baleful; it is as still as death itself — and it will devour me. Its stare has eaten into my soul already deep, deep.

 

Joseph Conrad