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Romain Rolland

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Theatre supposes lives that are poor and agitated, a people searching in dreams for a refuge from thought. If we were happier and freer we should not feel hungry for theatre. ... A people that is happy and free has need of festivities more than of theatres; it will always see in itself the finest spectacle.
--
Le Théâtre du peuple (1903)

 
Romain Rolland

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I believe in neither a director’s nor a writer’s theatre, but a theatre of intelligent audiences. I count myself as a member of an intelligent audience, and I wrote to you as such. That you should disagree with me I can understand, but that you should resent my expressing my opinions is something that frankly amazes me. I thought we had outgrown the idea of theatre as a mystic rite born of secret communion between author, director, actors and an empty auditorium.

 
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The Theatre of the Absurd strives to express its sense of the senselessness of the human condition and the inadequacy of the rational approach by the open abandonment of rational devices and discursive thought. While Sartre or Camus express the new content in the old convention, the Theatre of the Absurd goes a step further in trying to achieve a unity between its basic assumptions and the form in which these are expressed. In some senses, the theatre of Sartre and Camus is less adequate as an expression of the philosophy of Sartre and Camus — in artistic, as distinct from philosophic, terms — than the Theatre of the Absurd.

 
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I would quite like to try my hand at directing although I would do it in the theatre rather than in TV or film. Theatre is more just about telling the story. I understand the way the theatre works. I will leave the TV to the experts. Doctor Who is very complicated to direct. It would be impossible to direct that and act in it as well.

 
David Tennant
 

The theatre couldn't match what was going on in a court of law or at football grounds. The theatre has never been able to match what goes on anywhere, that's why so few people go.

 
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I like the liveness of it (theatre, fh) – that awful feeling of being on the spot. I must assume the responsibility for that moment, for those actions that happen at that particular time. I don’t find theatre that different from painting, and it’s not that I think of painting as theatre or vice versa. I tend to think of working as a kind of involvement with materials, as well as rather focused interest which changes.

 
Robert Rauschenberg
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