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Romain Gary

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Too famous for his work to be judged without bias, Gary felt he needed to break free from categorization. So, in 1973, at age 59 — the same age his mother was when she died — Gary invented Émile Ajar. He was by then twice divorced, retired from the diplomatic corps, and had published 22 books, including the Goncourt-winning The Roots of Heaven (1956), about illegal elephant poaching in Africa. It was time for a new adventure, as he explains in The Life and Death of Émile Ajar: “I was tired of being nothing but myself…there was the nostalgia for one’s youth, for one’s debut, for one’s renewal…. I was profoundly affected by the oldest protean temptation of man: that of multiplicity.” … events turned downright farcical. The Life Before Us was awarded the 1975 Prix Goncourt, the rules of which stipulate that it may be awarded to an author just once in his lifetime, and Gary had already received it for The Roots of Heaven. He instructed Ajar’s lawyer to turn down the honor on her client’s behalf, but the prize administrators would hear nothing of it. “The Goncourt Prize cannot be accepted or refused any more than life and death. Mr. Ajar remains the laureate.”
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Emma Garman, in "Great Pretenders" in Tablet (31 October 2007)

 
Romain Gary

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In 1975, Emile Ajar's second novel, La Vie devant soi, was a French literary sensation. The fictionalised memoir of an Arab boy growing up in a Parisian suburb, packed with extraordinary slang, aggressive jokes and almost unbelievable characters, the book was lathered with praise by critics, eventually wining the Goncourt, the French equivalent of the Booker. It went on to become the bestselling French novel of the 20th century. There was only one problem: Ajar was actually Roman Gary, already a bestselling French author (and previous winner of the Goncourt, which is supposed to be awarded to any particular writer only once), who had reinvented himself to outwit the literary establishment and win a new readership.

 
Romain Gary
 

By the time Romain Gary shot himself in the head, the French-Russian writer had published over fifty novels under four different names, directed two movies, fought in the air force, and represented France as a consul. His marriages — first to the British writer Lesley Branch, then to the American actress Jean Seberg — had brought him celebrity. He had enmeshed some of France’s literary giants in an elaborate hoax that broke fundamental precepts of the country’s cultural institutions.
But Gary always saw his own life as a series of incomplete drafts. Even as he planned his own death, he remained on the path to self-improvement. “To renew myself, to relive, to be someone else, was always the great temptation of my existence,” read the essay he left with his suicide note. It’s perhaps no surprise that biographies of the author often seem overwhelmed by the slippery nature of their subject. “Romain Gary: The Chameleon,” “Romain Gary: The Man who Sold his Shadow.” Gary was one of France’s most successful writers, but he lived the life of a spy.

 
Romain Gary
 

I humbly accept the Centennial Nobel Peace Prize. Forty years ago today, the Prize for 1961 was awarded for the first time to a Secretary-General of the United Nations — posthumously, because Dag Hammarskjöld had already given his life for peace in Central Africa. And on the same day, the Prize for 1960 was awarded for the first time to an African — Albert Luthuli, one of the earliest leaders of the struggle against apartheid in South Africa. For me, as a young African beginning his career in the United Nations a few months later, those two men set a standard that I have sought to follow throughout my working life.

 
Kofi Annan
 

Beyond Gary’s creative mendacity, one aspect of his life was indubitably genuine. After Germany invaded France, Gary escaped to London, where he became a war hero, serving as a fearless bomber pilot for the Free French Forces. Flying missions even when recuperating from battle wounds, Gary fought a feisty personal, even visceral battle against the Nazis (in one interview, Gary described himself as “testicularly anti-racist”) that was a concrete reality in a life devoted to more amorphous artistry, and his wartime loyalties remained a permanent obsession.

 
Romain Gary
 

There must have been something in the air of Gary that led one into economics: the first Nobel Prize winner, Paul Samuelson, was also from Gary, as were several other distinguished economists... Certainly, the poverty, the discrimination, the episodic unemployment could not but strike an inquiring youngster: why did these exist, and what could we do about them.

 
Joseph E. Stiglitz
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