The Text is not a definitive object.
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Proposition 1
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Variant translation: The Text is not to be thought of as an object that can be computed. It would be futile to try to separate out materially works from texts.Roland Barthes
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The discourse on the Text should itself be nothing other than text, research, textual activity, since the Text is that social space which leaves no language safe, outside, nor any subject of the enunciation in position as judge, master, analyst, confessor, decoder. The theory of the Text can coincide only with a practice of writing.
Roland Barthes
Interpretation thus presupposes a discrepancy between the clear meaning of the text and the demands of (later) readers. It seeks to resolve that discrepancy. The situation is that for some reason a text has become unacceptable; yet it cannot be discarded. Interpretation is a radical strategy for conserving an old text, which is thought too precious to repudiate, by revamping it. The interpreter, without actually erasing or rewriting the text, is altering it. But he cant admit to doing this. He claims to be only making it intelligible, by disclosing its true meaning.
Susan Sontag
Music would take over at the point at which words become powerless, with the one and only object of expressing that which nothing but music could express. For this, I need a text by a poet who, resorting to discreet suggestion rather than full statement, will enable me to graft my dream upon his dream who will give me plain human beings in a setting belonging to no particular period or country. ... Then I do not wish my music to drown the words, nor to delay the course of the action. I want no purely musical developments which are not called for inevitably by the text. In opera there is always too much singing. Music should be as swift and mobile as the words themselves.
Claude Debussy
It seems to me that the comprehension and enjoyment of the reader, as opposed to the viewer, is best served in printing this version rather than a slavish definitive transcription. Besides, what film is truly definitive? By the time you see the film it may very well be sub-titled, re-edited, shortened, even censored, and every film is viewed at the discretion of the projectionist, the cinema manager, the architect of the cinema, the comfort of your seat and the attention of your neighbour.
Peter Greenaway
A work has two levels of meaning: literal and concealed.
A Text, on the other hand is engaged in a movement a deferral a dilation of meaning the play of signification.
Metonymy the association of part to whole characterized the logic of the Text.
In this sense the Text is "radically symbolic" and lacks closure.Roland Barthes
Barthes, Roland
Bartholomew of San Concordio
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