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Roger Zelazny

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The work ... abounds in literary, historical and mythological allusions. The sensitivities revealed are far-ranging, capable of fine psychological and sociological analysis, and are as responsive to the contemporary as to the traditional... There is no other writer who, dealing with the struggle between life and death on such a fantastically rarefied level can evoke so much hunger for the stuff of living itself.
--
Chip Delany taking about Zelazny in his book, "The Jewel-hinged Jaw: Notes on the Language of Science Fiction" (1977)

 
Roger Zelazny

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Since Christ is the absolute it is easy to see that in relation to him there is only one situation-the situation of contemporaneity. Christ is revealed only to faith. … The qualification that is lacking-which is the qualification of truth (as inwardness) and of all religiousness is-for you. The past is not actuality-for me. Only the contemporary is actuality for me. That with which you are living simultaneously is actuality-for you. Thus, every human being is able to become contemporary only with the time in which he is living-and then with one more, with Christ’s life upon earth, for Christ’s life upon earth, the sacred history, stands alone by itself, outside history. History you can read and hear about as about the past; here you can if it so pleases you, judge by the outcome. But Christ’s life on earth is not a past; it did not wait at the time, eighteen hundred years ago, and does not wait now for the assistance of the outcome. A historical Christianity is nonsense and un-Christian muddled thinking, because whatever true Christians there are in any generation are contemporary with Christ, have nothing to do with Christians in past generations but everything to do with the contemporary Christ. Christ’s life on earth has an eternal contemporaneity. … If you cannot prevail upon yourself to become a Christian in the situation of contemporaneity with him, or if he cannot move you to draw you to himself in the situation of contemporaneity, then you will never become a Christian.

 
Soren Aabye Kierkegaard
 

An autonomous electorate, free because it is free from indoctrination and manipulation, would indeed be on a “level of articulate opinion and ideology” which is not likely to be found. Therefore, the concept has to be rejected as “unrealistic”—has to be if one accepts the factually prevailing level of opinion and ideology as prescribing the valid criteria for sociological analysis. And—if indoctrination and manipulation have reached the stage where the prevailing level of opinion has become a level of falsehood, where the actual state of affairs is no longer recognized as that which it is, then an analysis which is methodologically committed to reject transitive concepts commits itself to a false consciousness. Its very empiricism is ideological.

 
Herbert Marcuse
 

Relativism is a product of the modern historical-sociological procedure which is based on the recognition that all historical thinking is bound up with the concrete position in life of the thinker [Standortsgebundenheit des Denkers]. But relativism combines this historical-sociological insight with an older theory of knowledge which was as yet unaware of the interplay between conditions of existence and modes of thought, and which modelled its knowledge after static prototypes such as might be exemplified by the proposition 2 x 2 = 4. This older type of thought, which regarded such examples as the model of all thought, was necessarily led to the rejection of all those forms of knowledge which were dependent upon the subjective standpoint and the social situation of the knower, and which were, hence, merely "relative".

 
Karl Mannheim
 

Gottfried Helnwein's paintings evoke complex layers of history and psychology. Working with extraordinary technical sophistication, Helnwein seamlessly fuses traditional craftsmanship and contemporary conceptual investigations.

 
Gottfried Helnwein
 

The historical sense involves a perception, not only of the pastness of the past, but of its presence; the historical sense compels a man to write not merely with his own generation in his bones, but with a feeling that the whole of the literature of Europe from Homer and within it the whole of the literature of his own country has a simultaneous existence and composes a simultaneous order. This historical sense, which is a sense of the timeless as well as of the temporal and of the timeless and of the temporal together, is what makes a writer traditional. And it is at the same time what makes a writer most acutely conscious of his place in time, of his contemporaneity.

 
Thomas Stearns (T. S.) Eliot
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