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Guyana-Cult of the Damned has crawled out from under a rock and into local theaters, and will do nicely as this week's example of the depths to which people will plunge in search of a dollar. The movie is a gruesome version of the Jonestown massacre of 1978, so badly written and directed it illustrates a simple rule of movie exhibition: If a film is nauseating and reprehensible enough in the first place, it doesn't matter how badly it's made - people will go anyway.
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Review of Guyana-Cult of the Damned (January 29, 1980)

 

Roger Ebert

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Michael made his debut in John Carpenter's 1978 horror classic, Halloween, possibly the best scare movie to come along in the last twenty-five years. ... [W]ith the release of the sixth (and hopefully final) movie to bear the Halloween moniker, we see how far the mighty have fallen. ... In the final analysis, The Curse of Michael Myers is a horrific motion picture — just not in the way the film makers intended - Directed By Joe Chappelle.

 

James Berardinelli

 

Boat Trip arrives preceded by publicity saying many homosexuals have been outraged by the film. Now that it's in theaters, everybody else has a chance to join them. Not that the film is outrageous. That would be asking too much. It is dim-witted, unfunny, too shallow to be offensive, and way too conventional to use all of those people standing around in the background wearing leather and chains and waiting hopefully for their cues. This is a movie made for nobody, about nothing.

 

Roger Ebert

 

Dirty Love wasn't written and directed, it was committed. Here is a film so pitiful, it doesn't rise to the level of badness. It is hopelessly incompetent... I am not certain that anyone involved has ever seen a movie, or knows what one is.

 

Roger Ebert

 

The film that's leaked onto the Internet is not taken at a movie theatre with a little home video camera, right? The way it's usually done? This is an inside job... Now, if you were a police detective, one of the first questions you'd ask is motive. Who has a vested interest in destroying the opening weekend's box office of this movie? If I were the police or the FBI investigating this felony that's taken place, that's where I would look.
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Michael Moore

 

The biggest thing I learned was, especially the way I operate and how I am as a person, if I'm going to do a creative endeavor, I need to have full, complete control. Top to bottom. And with my book and website, I always had that. With the website, definitely, with the book, basically, with the movie...I didn't in a lot of ways. Nils and I, we had a lot of control, more control probably than almost any first time movie makers do within a normal studio system. We were in the middle between independent and not, because someone else paid for everything, and they kind of let us do what we wanted, but then once the movie was done creatively, it went in a direction that I did not want it to go, and there was nothing I could really do about it. It's hard enough to swim in that movie current by yourself, but when you've got weights tied to you and someone pulling you in a different direction, it's almost impossible. You need to pick a direction and go with it. If you're going to be a big studio movie, go be that, and if you're going to go be a rogue independent film, go be that. We had different people with different levels of authority on the movie that pulled us in different directions, and it just doesn't work. Either be in control or let someone else do it, but don't...too many chefs. I'm going to be better next time. Failure instructs, failure improves. Failure shouldn't deter you, unless you're just bad at it.

 

Tucker Max