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When I got back into show business in 1961, I felt — for obvious reasons — that nothing in my life went right, and I realized that millions of people felt the same way. So when I first came back my catch phrase was "nothing goes right." Early on, that was my setup for a lot of jokes.
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p. 126.

 

Rodney Dangerfield (born Jacob Cohen)

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Ever since I was a little girl, I felt that I wanted to be of service here on the earth: I felt that was my job somehow. And whatever I was going to do, I was going to find a way to do that. And so, as I got a larger audience -- a broader audience worldwide, and more and more people were listening to me -- it became important for me to share that thought. And the song "Get on Your Feet" -- which I didn't write, it was written actually by my guitar player, bass player and keyboardist . . . They knew how I felt. [They knew] what my thoughts were . . . So although it was written before my accident, it was thrown back at me so many times . . . But that really is my motto. I look always forward. I look ahead. And that's why I chose to record that song, because I really loved the message. Then "Coming Out of the Dark," which came on the heals of that accident and my rehab, and the incredible love that I felt from everyone worldwide that helped me through that difficult moment when I broke my back in 1990, is a big thank you to my fans -- and an expression of how ultimately we are here for each other to help one another. And the strength of prayer . . . That's why I say I know the love that saved me, you're sharing with me. We do have the power to save one another . . . And I wanted to thank everyone for being there for me.

 

Gloria Estefan

 

I think the key to that particular play was the throw. I knew I had the ball all the time. In my mind, because I was so cocky at that particular time when I was young, whatever went in the air I felt that I could catch. That's how sure I would be about myself. When the ball went up I had no idea that I wasn't going to catch the ball. As I'm running -- I'm running backwards and I'm saying to myself, "How am I going to get this ball back into the infield?"

 

Willie Mays

 

At first, I felt this thing coming up in myself, just really physically growing in myself and happening, but it was a jungle, so I couldn't distinguish things so much. I knew there were, in myself, the souls of millions of people who lived centuries ago - not just people but animals, plants, the elements, things, even, matter - that all of these exist in me, and I felt this. OK, this pushed and pushed and pushed. OK, that was the beginning... And through the years it became clearer and clearer, this thing; it started to separate itself. I could make it come when I had to concentrate on, let's say, a person I had to become - this thing became stronger. And took more of me. In this moment, I let it do it, because I wanted, I had to be this person. And as I was led to doing it, there was then no way back. And the more I tried to do it, the more I hated it. But there was no way back anymore; it was always going farther and farther and farther. Until one day, when I was walking through the streets of Paris, I started crying, because I could look at a man, a woman, a dog, anything, and receive it, anything, everything; there was no difference between physical and psychological. I felt like I was breaking out, breaking up, receiving everything, every moment, even things I did not see. There is no turning back from this. But this danger is the power you have. It is this same power that lets you hold an audience when you are on a stage. Then it is a concentration, the same concentration that in kung fu is used for the kick that kills or to break a table with your hand. It means that you are sure of the power and that you relinquish yourself to it

 

Klaus Kinski

 

I had just come back from Nigeria and he asked what I went to do in Nigeria because he had never visited Nigeria and I told him about the historical Badagry project that we are doing in Nigeria and he felt the same way I felt; he felt that the project must be done because it is imperative that we understand what our forefathers and fore mothers went through. He looked forward to the finishing of the project because he wanted to come and see it and I assured him that we would get the project done. The only thing is that when we do finish this project he will not be there physically, but he will be there in spirit."

 

Michael Jackson