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Literature was a vast minefield occupied by enemies, except for a few classic authors (just a few), and every day I had to walk through that minefield, where any false move could be fatal, with only the poems of Archilochus to guide me. It’s like that for all young writers. There comes a time when you have no support, not even from friends, forget about mentors, and there’s no one to give you a hand; publication, prizes, and grants are reserved for the others, the ones who said “Yes, sir,” over and over, or those who praised the literary mandarins, a never-ending horde distinguished only by their aptitude for discipline and punishment — nothing escapes them and they forgive nothing.
--
"Meeting with Enrique Lihn" (The New Yorker,December 22, 2008)

 

Roberto Bolano

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Forgiveness does not mean ignoring what has been done or putting a false label on an evil act. It means, rather, that the evil act no longer remains as a barrier to the relationship. Forgiveness is a catalyst creating the atmosphere necessary for a fresh start and a new beginning. It is the lifting of a burden or the canceling of a debt. The words "I will forgive you, but never forget what you have done" never explain the real nature of forgiveness. Certainly one can never forget, if that means erasing totally for his mind. But when we forgive, we forget in the sense that the evil deed is no longer a mental block impeding a new relationship. Likewise, we can never say, "I will forgive you, but I won't have anything further to do with you." Forgiveness means reconciliation, a coming together again. Without this, no man can ever love his enemies. The degree to which we are able to forgive determines the degree to which we are able to love our enemies.

 

Martin Luther King

 

If we come to a minefield, our infantry attacks exactly as it were not there.

 

Georgy Zhukov

 

You must not dither - swim like you're running through a minefield.

 

Lewis Gordon Pugh

 

"It can be said that deeply traumatized children grow into adults who live in the minefield of their own extreme emotions. Plus ca change." (p326)

 

Antonella Gambotto-Burke

 

But she [Virginia Woolf] is impotently distant from an understanding of the proper relations between literature and society, because she has no clear sense of the functions of literature. She sees writers as individual 'artists' working in mysterious privacy - which from time to time society rudely invades. Her writer, indeed, has all the characteristics of traditional 'femininity' - with society as the big strong male who should protect and cherish his literary womenfolk, but does not. She might - for all the application of her complaint to the relations between society and literature - be talking of the relations between husbands and wives.

 

Laura Riding