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Robert Moog

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My training as an engineer has enabled me to design the stuff, but the reason I do it is not to make music but for the opportunity to work with musicians.

 
Robert Moog

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I think a producer should be like water, and whatever the shape of the glass is, he or she should fill that. If they need you to be the engineer guy--typically I have an engineer--I work at that stuff. If they need you to be a songwriting help guy, I work on that. If they need you to be a vocal melody guy, I work at that, etc. I kind of look at whatever a band needs out of me then I try to give it to them.

 
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Education and training for all children to be equal in opportunity in all schools, colleges, universities, and other institutions of training in the professions and vocations in life; to be regulated on the capacity of children to learn, and not on the ability of parents to pay the costs. Training for life's work to be as much universal and thorough for all walks of life as has been the training in the arts of killing.

 
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I know that people are interested, and I understand why, but I don't want that stuff to overshadow my life. It's just the way it is. I'm a singer, I'm in a band, I've been out with musicians, I've had children with two different musicians. To me, it's no big deal. I only get upset because I want people to listen to the songs. Listen to the LP or come and see my band. I don't like it when people write about my life and don't even mention the music.

 
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What is called music today is all too often only a disguise for the monologue of power. However, and this is the supreme irony of it all, never before have musicians tried so hard to communicate with their audience, and never before has that communication been so deceiving. Music now seems hardly more than a somewhat clumsy excuse for the self-glorification of musicians and the growth of a new industrial sector.

 
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"I like our music to feel three-dimensional. It's about trying to invoke emotions in people, I suppose. You feel larger than life in some sort of way. Let's face it — none of us in Pink Floyd are technically brilliant musicians, with great chops who can change rhythms, fifteen or sixteen bars here, there, and everywhere. And we're not terribly good at complicated chord structures. A lot of it is just very simple stuff dressed up. We stopped trying to make overtly 'spacey' music and trip people out in that way in the 60's. But that image hangs on and we can't seem to get shot of it."

 
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