Yquotes.com

 

The official style is at once humble, polite, curt and disagreeable: it derives partly from that used in Byzantine times by the eunuch slave-secretariat, writing stiffly in the name of His Sacred Majesty, whose confidence they enjoyed, to their fellow-slaves outside the palace precincts — for the Emperor had summary power over everyone; and partly from the style used by the cleric-bureaucracy of the Middle Ages, writing stiffly in the name of the feudal lords to their serfs and, though cautious of offending their employers, protected from injury by being servants of the Church, not of the Crown, and so subject to canon, not feudal, law. The official style of civil servants, so far as it recalls its Byzantine derivation, is written by slaves to fellow-slaves of a fictitious tyrant; and, so far as it recalls its mediaeval derivation, is written by members of a quasi-ecclesiastical body, on behalf of quasi-feudal ministers (who, being politicians, come under a different code of behaviour from theirs) to a serflike public.
--
Ch. 4: "The Use and Abuse of Official English"

 

Robert Graves

» Robert Graves - all quotes »

Similar quotes

 

The chief trouble with the official style is that it spreads far beyond the formal contexts to which it is suited. Most civil servants, having learned to write in this way, cannot throw off the habit. The obscurity of their public announcements largely accounts for the disrepute into which Departmental activities have fallen: for the public naturally supposes that Departments are as muddled and stodgy as their announcements.
The habit of obscurity is partly caused by a settled disinclination among public servants to give a definite refusal even where assent is out of the question; or to convey a vigorous rebuke even where, in private correspondence, any person with self-respect would feel bound to do so. The mood is conveyed by a polite and emasculated style — polite because, when writing to a member of the public, the public servant is, in theory at least, addressing one of his collective employers; emasculated because, as a cog in the Government machine, he must make his phrases look as mechanical as possible by stripping them of all personal feeling and opinion.

 

Robert Graves

 

What we are slaves to will prevent us from praying to God. If we are slaves to all the thoughts we think, if we are slaves to everything our eyes see, if we are slaves to all the music our ears hear, if we are slaves to everything the nose smells and the tongue tastes, if we are slaves to everything the body wants, then how can we ever reach a state of peace? We can never know peace or tranquility this way. We have to escape from this slavery and become a slave only to God.

 

Bawa Muhaiyaddeen

 

The feudal warranty is, doubtless derived from the ancient duty of the feudal lord to protect his liege man 'with fire and sword against all deadly'. It was of the essence of the feudal bond, that the vassal should be under his lord's protection.

 

Edward Jenks

 

Much was made by abolitionists that the King James version of the Bible didn't use the word slaves, but, instead, servants. This meant, in their minds, that God didn't really approve of slavery. But that argument was linguistic at best. Slavery was codified and even sanctified in the tenth commandment, throwing slaves (and wives) in with other property belonging to one's neighbor that one must not covet. The Bible even regulated--as opposed to banning outright--the killing of slaves, stating that if a slave were beaten to death, the slave owner should be punished (though not killed himself, as would be his fate were he to kill a freeman), but if the slave didn't die until a day or two after the beating, the slave owner "shall not be punished, for he [the slave] is his money."

 

Derrick Jensen

 

I shall christen this style the Mandarin, since it is beloved by literary pundits, by those who would make the written word as unlike as possible to the spoken one. It is the style of all those writers whose tendency is to make their language convey more than they mean or more than they feel, it is the style of most artists and all humbugs.

 

Cyril Connolly