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Richard Long

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A sculpture,a map,a photograph;all the forms of my work are equal and complementary.The knowledge of my actions,in whatever form,is the art.My art is the essence of my experience,not a representation of it. ('Richard Long:Books,Prints,Printed Matter'.Exhib cat New York Public Library,New York 1994)

 
Richard Long

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New York's such a wonderful city. Although I was at the library today. The guy was very rude. I said, "I'd like a card." He says, "You have to prove you're a citizen of New York." So I stabbed him.

 
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The subtlest change in New York is something people don't speak much about but that is in everyone's mind. The city, for the first time in its long history, is destructible. A single flight of planes no bigger than a wedge of geese can quickly end this island fantasy, burn the towers, crumble the bridges, turn the underground passages into lethal chambers, cremate the millions. The intimation of mortality is part of New York now: in the sounds of jets overhead, in the black headlines of the latest edition.
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Any public committee man who tries to pack the moral cards in the interest of his own notions is guilty of corruption and impertinence. The business of a public library is not to supply the public with the books the committee thinks good for the public, but to supply the public with the books the public wants. … Censorship ends in logical completeness when nobody is allowed to read any books except the books that nobody can read. But as the ratepayer is mostly a coward and a fool in these difficult matters, and the committee is quite sure that it can succeed where the Roman Catholic Church has made its index expurgatorius the laughing-stock of the world, censorship will rage until it reduces itself to absurdity; and even then the best books will be in danger still.

 
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