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Richard Dawkins

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Richard Dawkins is arguably England's most pious atheist.
--
Simon Conway Morris, in Life's Solution (2003), p. 315.

 
Richard Dawkins

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I don’t know if I’m the right person to be doing jokes about religion; in the past few months, I’ve become religious, I’ve started to believe in god, creationism and intelligent design, and the reason that I now believe in god and creationism and intelligent design is because of Professor Richard Dawkins. Because when I look at something as complex and intricate and beautiful as Professor Richard Dawkins, I don’t think that just could’ve evolved by chance! Professor Richard Dawkins was put there by god to test us, like fossils. And facts.

 
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Richard Dawkins is quite simply incomparable. No one can make science so exciting, so interesting, or so clear... If only Stephen Hawking had a tenth of his clarity.

 
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In the age of chivalry, and in the very year when Caxton published Malory's Morte d'Arthur with its uplifting theme of knightly virtue and purity, England found itself under the heel of a king whose very first act [stripping and parading Richard's corpse] was one of calculated barbarity. By contrast, Richard III's end would prove to represent England's last personification of the monarch as the flower of chivalry: the last king leading his men shoulder to shoulder in battle, but more than that, attempting to curtail the bloodshed by settling the outcome in single combat.

 
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Perhaps a suitable analogy to explain the short-falls of Dawkins's account of evolution is to think of an oil painting. In this analogy Dawkins has explained the nature and range of pigments; how the extraordinary azure colour was obtained, what effect cobalt has, and so on. But the description is quite unable to account for the picture itself. This view of evolution is incomplete and therefore fails in its side-stepping of how information (the genetic code) gives rise to phenotype, and by what mechanisms. Organisms are more than the sum of their parts, and we may also note in passing that the world depicted by Dawkins has lost all sense of transcendence.

 
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