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Richard Aldington

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I began to write what I called 'rhythms' ie unrhymed pieces with no formal metrical scheme where the rhythm was created by a kind if inner chant..Later I was told I was writing 'free verse' or Vers libre.
--
Introduction to Collected Poems, 1929

 
Richard Aldington

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To understand Vers libre, one must abandon all desire to find in it the even rhythm of metrical feet. One must allow the lines to flow as they will when read aloud by an intelligent reader.

 
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There were certain impressions I wanted to fix.I read verse models but none seemed to suitably express that kind of impression..until I came to read French vers libre which seemed to eactly fitr the case.

 
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The poem, a harmonious flow of nuances, demands a musical rhythm, Vers libre.

 
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Dark hair fell in a sweep over his forehead. He looked like a man who would write vers libre, as indeed he did.

 
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The meanings of poetry take their growth through the interaction of the images and the music of the poem. The music is not the rhythm, which is a representation of life, alone. The music involves the interplay of the sounds of words, the length of the sequences, the keeping and breaking of rhythms, and the repetition and variation of syllables unrhymed and rhymed. It also involves the play of ideas and images.

 
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