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Rachel Trachtenburg

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"My dad wrote a song about the people in the slides. I started playing harmonica. I was only six."
--
Rachel on the song "Mountain Trip To Japan, 1959" and how she ended up in the band.

 
Rachel Trachtenburg

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It started out — my mom and dad took a little vacation to Mexico and they left $250 for food. But instead of food we went and bought some instruments. We got a bass, guitar and a set of drums. ... I was 19. Dennis was 15. Carl was 17. Mike was 18. Al was 19. And so we wrote a song called "Surfin'" in my living room. We were all playing and singing and Mike and I wrote a song called "Surfin'" and that's how it all started.

 
Brian Wilson
 

"The Man Comes Around" is a song that I wrote, it's my song of the apocalypse, and I got the idea from a dream that I had — I dreamed I saw Queen Elizabeth. I dreamed I went in to Buckingham Palace, and there she sat on the floor. And she looked up at me and said, "Johnny Cash, you're like a thorn tree in a whirlwind." And I woke up, of course, and I thought, what could a dream like this mean? Thorn tree in a whirlwind? Well, I forgot about it for two or three years, but it kept haunting me, this dream. I kept thinking about it, how vivid it was, and then I thought, Maybe it's biblical. So I found it. Something about whirlwinds and thorn trees in the Bible. So from that, my song started and... "The Man Comes Around." The song turned out to be "The Man Comes Around."

 
Johnny Cash
 

[My mother] said, "Arlo, I was out in the middle of China. And they brought out these school kids, and they started singing us songs, and they started singing 'This Land is Your Land', and I said 'STOP! Stop the song! My husband wrote that song!" She must have drove them nuts! She was driving me nuts about it! It was weeks after she had got back she hadn't slowed down about it one little bit! And I just looked at her and I said, "You know, mom...California.....to the New York Island. What are they singing it for over there anyhow?" She just looked with one of those Mom kind of looks. She said, "Oh Arlo..." She walked away. I was left standing there feeling like my usual self. I knew she was right, but I just didn't know why. After a while though, it come to me. I could see it, just because it said "California to the New York Island", didn't mean it had to go the short way! I could see it going around back! Redwood Forests, Gulf stream waters, around that way! Then the whole world could be singing that song! Except America.

 
Arlo Guthrie
 

On the second album I worked with a lot of people that I worked with on the Metamorphosis album. And when I worked on Metamorphosis I was so nervous and shy about going into the studio and working with people, they eventually toward the end made me feel so comfortable and so secure with myself. I loved working with them. I have a great relationship with them. I talk to them [all the time]. When we started talking about the second album, I was like, "I want to work with all the same people." They knew what was going on in my life, what I was going through. I would call them and say, "I feel like this right now. I want a song about this..." I never really felt like I had enough time to write my whole album and I don't know if I'm secure enough with myself to do that. But I wrote three songs on the album, one I wrote with my sister. It's so personal and these people really got what I was going through and how I feel inside. I think that's what makes it good and that's what makes me relate to them.

 
Hilary Duff
 

If I had to take eveything into consideration, [the truly essential song] would have to be "Conga." First, because I don't think I can get away with not performing that song in some shape or form. Second, because it started the possiblility of "Mi Tierra" [Estefan's top-selling Spanish album] happening. Not only did it talk about a specific rhythm of my homeland [Cuba], it talked about being Latino, and the celebratory nature of dance. It was very musically forward in that it mixed a funk bassline and a 2/4 beat on the drums and the Latin percussion. It was something that really put us on the map. And even though it's a frivolous and fun song, it talks about who we are as immigrants in this land.

 
Gloria Estefan
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