Yann Martel
Canadian author most famous for his Man Booker Prize-winning novel Life of Pi.
Animals in the wild lead lives of compulsion and necessity within an unforgiving social hierarchy in an environment where the supply of fear is high and the supply of food is low and where territory must constantly be defended and parasites forever endured.
Scientists are a friendly, atheistic, hard-working, beer-drinking lot whose minds are preoccupied with sex, chess and baseball when they are not preoccupied with science.
Colonialism is a terrible bane for a people upon whom it is imposed, but a blessing for a language. English's drive to exploit the new and the alien, its zeal in robbing words from other languages, its incapacity to feel qualms over the matter, its museum-size overabundance of vocabulary, its shoulder-shrug approach to spelling, its don't-worry-be-happy concern for grammar—the result was a language whose colour and wealth Henry loved. In his entirely personal experience of [languages], English was jazz music, German was classical music, French was ecclesiastical music, and Spanish was music from the streets. Which is to say, stab his heart and it would bleed French, slice his brain open and its convolutions would be lined with English and German, and touch his hands and they would feel Spanish.
I was weeping because Richard Parker left me so unceremoniously. What a terrible thing it is to botch the farewell. I am a person who believes in form, in the harmony of order. Where we can, we must give things meaningful shape.
I cannot think of a better way to spread the faith. No thundering from a pulpit, no condemnation from bad churches, no peer pressure, just a book of scripture quietly waiting to say hello, as gentle and powerful as a little girl's kiss on your cheek.
Then Richard Parker, companion of my torment, awful, fierce thing that kept me alive, moved forward and disappeared forever from my life.
If you stumble at mere believability, what are you living for? Isn't love hard to believe?
I know what you want. You want a story that won't surprise you. That will confirm what you already know. That won't make you see higher or further or differently. You want a flat story. An immobile story. You want dry, yeastless factuality.