Willa Cather (1873 – 1947)
Among the most eminent American authors, known for her depictions of US life in her novels.
There were no clouds, the sun was going down in a limpid, gold-washed sky. Just as the lower edge of the red disk rested on the high fields against the horizon, a great black figure suddenly appeared on the face of the sun. We sprang to our feet, straining our eyes toward it. In a moment we realized what it was. On some upland farm, a plough had been left standing in the field. The sun was sinking just behind it. Magnified across the distance by the horizontal light, it stood out against the sun, was exactly contained within the circle of the disk; the handles, the tongue, the share — black against the molten red. There it was, heroic in size, a picture writing on the sun.
Only the stupid and the phlegmatic should teach.
As I confronted her, the changes grew less apparent to me, her identity stronger. She was there, in the full vigour of her personality, battered but not diminished, looking at me, speaking to me in the husky, breathy voice I remembered so well.
The dead might as well try to speak to the living as the old to the young.
I kept as still as I could. Nothing happened. I did not expect anything to happen. I was something that lay under the sun and felt it, like the pumpkins, and I did not want to be anything more. I was entirely happy. Perhaps we feel like that when we die and become a part of something entire, whether it is sun and air, or goodness and knowledge. At any rate, that is happiness; to be dissolved into something complete and great. When it comes to one, it comes as naturally as sleep.
Perhaps I am like Carrie Jensen, the sister of one of my hired men. She had never been out of the cornfields, and a few years ago she got despondent and said life was just the same thing over and over, and she didn't see the use of it. After she had tried to kill herself once or twice, her folks got worried and sent her over to Iowa to visit some relations. Ever since she's come back she's been perfectly cheerful, and she says she's contented to live and work in a world that's so big and interesting. She said that anything as big as the bridges over the Platte and the Missouri reconciled her. And it's what goes on in the world that reconciles me.
Alexandra drew her shawl closer about her and stood leaning against the frame of the mill, looking at the stars which glittered so keenly through the frosty autumn air. She always loved to watch them, to think of their vastness and distance, and of their ordered march. It fortified her to reflect upon the great operations of nature, and when she thought of the law that lay behind them, she felt a sense of personal security.
Nothing is far and nothing is near, if one desires. The world is little, people are little, human life is little. There is only one big thing — desire.
There is a popular superstition that "realism" asserts itself in the cataloguing of a great number of material objects, in explaining mechanical processes, the methods of operating manufactories and trades, and in minutely and unsparingly describing physical sensations. But is not realism, more than it is anything else, an attitude of mind on the part of the writer toward his material, a vague indication of the sympathy and candour with which he accepts, rather than chooses, his theme?
I ain't got time to learn. I can work like mans now.
Art and religion (they are the same thing, in the end, of course) have given man the only happiness he has ever had.
Religion is different from everything else; because in religion seeking is finding.
Where there is great love there are always miracles.
When we look back, the only things we cherish are those which in some way met our original want; the desire which formed in us in early youth, undirected, and of its own accord.
What was any art but an effort to make a sheath, a mould in which to imprison for a moment the shining, elusive element which is life itself — life hurrying past us and running away, too strong to stop, too sweet to lose?
Desire is creation, is the magical element in that process. If there were an instrument by which to measure desire, one could foretell achievement.