Virginia Woolf

Mrs Swithin took her knitting from the table. 'Did you feel,' she asked, 'what he said: we act different parts but are the same?'

I would venture to guess than Anon, who wrote so many poems without signing them, was often a woman.

The flowers flashed before they faded. She watched them flash.

You are not listening to me. You are making phrases about Byron. And while you gesticulate, with your cloak, your cane, I am trying to expose a secret told to nobody yet; I am asking you (as I stand with my back to you) to take my life in your hands and tell me whether I am doomed always to cause repulsion in those I love?

*Was there no sword, nothing with which to batter down these walls, this protection, this begetting of children and living behind curtains, and becoming daily more involved and committed, with books and pictures? Better burn one’s life out like Louis, desiring perfection; or like Rhoda leave us, flying past us to the desert; or choose one out of millions and one only like Neville; better be like Susan and love and hate the heat of the sun or the frost-bitten grass; or be like Jinny, honest, an animal. All had their rapture; their common feeling with death; something that stood them in stead. Thus I visited each of my friends in turn, trying, with fumbling fingers, to prise open their locked caskets. I went from one to the other holding my sorrow — no, not my sorrow but the incomprehensible nature of this our life — for their inspection. Some people go to priests; others to poetry; I to my friends, I to my own heart, I to seek among phrases and fragments something unbroken — I to whom there is not beauty enough in moon or tree; to whom the touch of one person with another is all, yet who cannot grasp even that, who am so imperfect, so weak, so unspeakably lonely. There I sat.

[...] she felt this thing that she called life terrible, hostile, and quick to pounce on you if you gave it a chance. There were the eternal problems: suffering; death; the poor. There was always a woman dying of cancer even here. And yet she had said to all these children, You shall go through with it.

Life is not a series of gig lamps symmetrically arranged; life is a luminous halo, a semi-transparent envelope surrounding us from the beginning of consciousness to the end.

She alone spoke the truth; to her alone could he speak it. That was the source of her everlasting attraction for him, perhaps; she was a person to whom one could say what came into one's head.

At this Helen laughed outright. "Nonsense," she said. "You're not a Christian. You've never thought what you are.—And there are lots of other questions," she continued, "though perhaps we can't ask them yet." Although they had talked so freely they were all uncomfortably conscious that they really knew nothing about each other.
"The important questions," Hewet pondered, "the really interesting ones. I doubt that one ever does ask them."
Rachel, who was slow to accept the fact that only a very few things can be said even by people who know each other well, insisted on knowing what he meant.
"Whether we've ever been in love?" she enquired. "Is that the kind of question you mean?"

Once you begin to take yourself seriously as a leader or as a follower, as a modern or as a conservative, then you become a self-conscious, biting, and scratching little animal whose work is not of the slightest value or importance to anybody.

Lines slip easily down the accustomed grooves. The old designs are copied so glibly that we are half inclined to think them original, save for that very glibness.

As for the soul: why did I say I would leave it out? I forget. And the truth is, one can't write directly about the soul. Looked at, it vanishes; but look at the ceiling, at Grizzle, at the cheaper beasts in the Zoo which are exposed to walkers in Regent's Pak, and the soul slips in. Mrs Webb's book has made me think a little what I could say of my own life. But then there were causes in her life: prayer; principle. None in mine. Great excitability and search after something. Great content – almost always enjoying what I'm at, but with constant change of mood. I don't think I'm ever bored. Yet I have some restless searcher in me. Why is there not a discovery in life? Something one can lay hands on and say 'This is it'? What is it? And shall I die before I can find it? Then (as I was walking through Russell Square last night) I see mountains in the sky: the great clouds, and the moon which is risen over Persia; I have a great and astonishing sense of something there, which is 'it' – A sense of my own strangeness, walking on the earth is there too. Who am I, what am I, and so on; these questions are always floating about in me. Is that what I meant to say? Not in the least. I was thinking about my own character; not about the universe. Oh and about society again; dining with Lord Berners at Clive's made me think that. How, at a certain moment, I see through what I'm saying; detest myself; and wish for the other side of the moon; reading alone, that is.

Happiness is to have a little string onto which things will attach themselves.

Humour is the first of the gifts to perish in a foreign tongue.

This last week L. has been having a little temperature in the evening, due to malaria, and that due to a visit to Oxford; a place of death and decay. I'm almost alarmed to see how entirely my weight rests on his prop. And almost alarmed to see how intensely I'm specialised. My mind turned by anxiety, or other cause, from its scrutiny of blank paper, is like a lost child – wandering the house, sitting on the bottom step to cry.

'That was the burden,' she mused, 'laid on me in the cradle; murmured by waves; breathed by restless elm trees; crooned by singing women; what we must rememeber; what we would forget.'

The artist after all is a solitary being.

Neither of us knows what the public will think. There's no doubt in my mind that I have found out how to begin (at forty) to say something in my own voice; and that interests me so that I feel I can go ahead without praise.

'If you do not tell the truth about yourself you cannot tell it about other people.

Dearest,
I want to tell you that you have given me complete happiness. No one could have done more than you have done. Please believe that.
But I know that I shall never get over this: and I am wasting your life. It is this madness. Nothing anyone says can persuade me. You can work, and you will be much better without me. You see I can't write this even, which shows I am right. All I want to say is that until this disease came on we were perfectly happy. It was all due to you. No one could have been so good as you have been, from the very first day till now. Everyone knows that.
V.