Stephen Vincent Benet

Eternally the choking steam goes up
From the black pools of seething oil...

For the man crucified on the crossed machine guns
Without name, without ressurection, without stars,
His dark head heavy with death and his flesh long sour
With the smell of his many prisons — John Smith, John Doe,
John Nobody — oh, crack your mind for his name!
Faceless as water, naked as the dust,
Dishonored as the earth the gas-shells poison
And barbarous with portent.
  This is he.
This is the man they ate at the green table
Putting their gloves on ere they touched the meat.
This is the fruit of war, the fruit of peace,
The ripeness of invention, the new lamb,
The answer to the wisdom of the wise.
And still he hangs, and still he will not die
And still, on the steel city of our years
The light falls and the terrible blood streams down.

I shall not rest quiet in Montparnasse.
I shall not lie easy at Winchelsea.
You may bury my body in Sussex grass,
You may bury my tongue at Champmédy.
I shall not be there. I shall rise and pass.
Bury my heart at Wounded Knee.

She stood there, and at once I knew
The bitter thing that I must do.
There could be no surrender now;
Though Sleep and Death were whispering low.

The iron ice stung like a goad,
Slashing the torn shoes from my feet,
And all the air was bitter sleet.

I went north — I did not try to hide myself. When a god or a demon saw me, then I would die, but meanwhile I was no longer afraid. My hunger for knowledge burned in me — there was so much that I could not understand.

Never have I been so much alone — I tried to think of my knowledge, but it was a squirrel's heap of winter nuts. There was no strength in my knowledge any more and I felt small and naked as a new-hatched bird — alone upon the great river, the servant of the gods.

On the highest steeps of Space he will have his dwelling-place,
In those far, terrific regions where the cold comes down like Death
Gleams the red glint of his pinions, smokes the vapor of his breath.

We heard the shots in the night
But nobody knew next day what the trouble was
And a man must go to his work.
So I didn't see him
For three days, then, and me near out of my mind
And all the patrols on the streets with their dirty guns
And when he came back, he looked drunk, and the blood was on him.

I went fasting, as is the law. My body hurt but not my heart. When the dawn came, I was out of sight of the village. I prayed and purified myself, waiting for a sign. The sign was an eagle. It flew east.
Sometimes signs are sent by bad spirits. I waited again on the flat rock, fasting, taking no food. I was very still — I could feel the sky above me and the earth beneath. I waited till the sun was beginning to sink. Then three deer passed in the valley going east — they did not mind me or see me. There was a white fawn with them — a very great sign.

Icarus, Icarus, though the end is piteous,
Yet forever, yea, forever we shall see thee rising thus,
See the first supernal glory, not the ruin hideous.

When gods war with gods, they use weapons we do not know. It was fire falling out of the sky and a mist that poisoned. It was the time of the Great Burning and the Destruction. They ran about like ants in the streets of their city — poor gods, poor gods!

He knew that once you bested anybody like Mr. Scratch in fair fight, his power on you was gone. And he could see that Mr. Scratch knew it too.

You will have money and all that money can buy.

For ever... well... it droops the mouth. Till I
Look up.
There's one blue patch no smoke dares touch.
Sky, clear, ineffable, alive with light,
Always the same...
Before, I never knew
Rest and green peace.

Then he turned to Jabez Stone and showed him as he was — an ordinary man who'd had hard luck and wanted to change it. And, because he'd wanted to change it, now he was going to be punished for all eternity. And yet there was good in Jabez Stone, and he showed that good. He was hard and mean, in some ways, but he was a man. There was sadness in being a man, but it was a proud thing too. And he showed what the pride of it was till you couldn't help feeling it. Yes, even in hell, if a man was a man, you'd know it. And he wasn't pleading for any one person any more, though his voice rang like an organ. He was telling the story and the failures and the endless journey of mankind. They got tricked and trapped and bamboozled, but it was a great journey. And no demon that was ever foaled could know the inwardness of it — it took a man to do that.
The fire began to die on the hearth and the wind before morning to blow. The light was getting gray in the room when Dan'l Webster finished. And his words came back at the end to New Hampshire ground, and the one spot of land that each man loves and clings to. He painted a picture of that, and to each one of that jury he spoke of things long forgotten. For his voice could search the heart, and that was his gift and his strength. And to one, his voice was like the forest and its secrecy, and to another like the sea and the storms of the sea; and one heard the cry of his lost nation in it, and another saw a little harmless scene he hadn't remembered for years. But each saw something. And when Dan'l Webster finished he didn't know whether or not he'd saved Jabez Stone. But he knew he'd done a miracle. For the glitter was gone from the eyes of the judge and jury, and, for the moment, they were men again, and knew they were men.

A man with a mouth like a mastiff, a brow like a mountain and eyes like burning anthracite — that was Dan'l Webster in his prime. And the biggest case he argued never got written down in the books, for he argued it against the devil, nip and tuck and no holds barred. And this is the way I used to hear it told.

For those denounced by their smug, horrible children
For a peppermint-star and the praise of the Perfect State,
For all those strangled, gelded or merely starved
To make perfect states; for the priest hanged in his cassock,
The Jew with his chest crushed in and his eyes dying,
The revolutionist lynched by the private guards
To make perfect states, in the names of the perfect states.

He started off in a low voice, though you could hear every word. They say he could call on the harps of the blessed when he chose. And this was just as simple and easy as a man could talk. But he didn't start out by condemning or reviling. He was talking about the things that make a country a country, and a man a man.
And he began with the simple things that everybody's known and felt — the freshness of a fine morning when you're young, and the taste of food when you're hungry, and the new day that's every day when you're a child. He took them up and he turned them in his hands. They were good things for any man. But without freedom, they sickened. And when he talked of those enslaved, and the sorrows of slavery, his voice got like a big bell. He talked of the early days of America and the men who had made those days. It wasn't a spread-eagle speech, but he made you see it. He admitted all the wrong that had ever been done. But he showed how, out of the wrong and the right, the suffering and the starvations, something new had come. And everybody had played a part in it, even the traitors.

For the women who mourn their dead in the secret night,
For the children taught to keep quiet, the old children,
The children spat-on at school.
For the wrecked laboratory,
The gutted house, the dunged picture, the pissed-in well
The naked corpse of Knowledge flung in the square
And no man lifting a hand and no man speaking.