Samuel Beckett

All of old. Nothing else ever. Ever tried. Ever failed. No matter. Try again. Fail again. Fail better.

To him who has nothing it is forbidden not to relish filth.

But he had hardly felt the absurdity of those things, on the one hand, and the necessity of those others, on the other (for it is rare that the feeling of absurdity is not followed by the feeling of necessity), when he felt the absurdity of those things of which he had just felt the necessity (for it is rare that the feeling of necessity is not followed by the feeling of absurdity).

Yes, in my life, since we must call it so, there were three things, the inability to speak, the inability to be silent, and solitude, that’s what I’ve had to make the best of.

Hamm: Look at the ocean!
(Clov gets down, takes a few steps towards window left, goes back for ladder, carries it over and sets it down under window left, gets up on it, turns the telescope on the without, looks at length. He starts, lowers the telescope, examines it, turns it again on the without.)
Clov: Never seen anything like that!
Hamm (anxious): What? A sail? A fin? Smoke?
Clov (looking): The light is sunk.
Hamm (relieved): Pah! We all knew that.
Clov (looking): There was a bit left.
Hamm: The base.
Clov (looking): Yes.
Hamm: And now?
Clov (looking): All gone.
Hamm: No gulls?
Clov (looking): Gulls!
Hamm: And the horizon? Nothing on the horizon?
Clov (lowering the telescope, turning towards Hamm, exasperated): What in God's name could there be on the horizon? (Pause.)
Hamm: The waves, how are the waves?
Clov: The waves? (He turns the telescope on the waves.) Lead.
Hamm: And the sun?
Clov (looking): Zero.
Hamm: But it should be sinking. Look again.
Clov (looking): Damn the sun.
Hamm: Is it night already then?
Clov (looking): No.
Hamm: Then what is it?
Clov (looking): Gray. (Lowering the telescope, turning towards Hamm, louder.) Gray! (Pause. Still louder.) GRRAY! (Pause. He gets down, approaches Hamm from behind, whispers in his ear.)
Hamm (starting): Gray! Did I hear you say gray?
Clov: Light black. From pole to pole.

Spend the years of learning squandering
Courage for the years of wandering
Through a world politely turning
From the loutishness of learning.

The long blue days, for his head, for his side, and the little paths for his feet, and all the brightness to touch and gather. Through the grass the little mosspaths, bony with old roots, and the trees sticking up, and the flowers sticking up, and the fruit hanging down, and the white exhausted butterflies, and the birds never the same darting all day long into hiding. And all the sounds, meaning nothing. Then at night rest in the quiet house, there are no roads, no streets any more, you lie down by a window opening on refuge, the little sounds come that demand nothing, ordain nothing, explain nothing, propound nothing, and the short necessary night is soon ended, and the sky blue again all over the secret places where nobody ever comes, the secret places never the same, but always simple and indifferent, always mere places, sites of a stirring beyond coming and going, of a being so light and free that it is as the being of nothing.

It means what it says.

If by Godot I had meant God I would have said God, and not Godot.

Hamm: We're not beginning … to … to … mean something?
Clov: Mean something? You and I mean something?

The essential is to go on squirming forever at the end of the line, as long as there are waters and banks and ravening in heaven a sporting god to plague his creatures, per pro his chosen shits.

They were most correct, according to their god.

Enough. Sudden enough. Sudden all far. No move and sudden all far. All least. Three pins. One pinhole. In dimmost dim. Vasts apart. At bounds of boundless void. Whence no farther. Best worse no farther. Nohow less. Nohow worse. Nohow naught. Nohow on.

At no moment do I know what I’m talking about, nor of whom, nor of where, nor how, nor why, but I could employ fifty wretches for this sinister operation and still be short of the fifty-first, to close the circuit, that I know, without knowing what it means.

What I assert, deny, question, in the present, I still can. But mostly I shall use the various tenses of the past. For mostly I do not know, it is perhaps no longer so, it is too soon to know, I simply do not know, perhaps shall never know.

But he had turned, little by little, a disturbance into words, he had made a pillow of old words, for his head.

All the things you would do gladly, oh without enthusiasm, but gladly, all the things there seems no reason for your not doing, and that you do not do! Can it be we are not free? It might be worth looking into.

Do you ever think? The voice, God forbid.

I felt ill at ease with all this air about me, lost before the confusion of innumerable prospects.

Or I might be able to catch one, a little girl for example, and half strangle her, three quarters, until she promises to give me my stick, give me soup, empty my pots, kiss me, fondle me, smile to me, give me my hat, stay with me, follow the hearse weeping into her handkerchief, that would be nice. I am such a good man, at bottom, such a good man, how is it that nobody ever noticed it?