R. A. Lafferty (1914 – 2002)
American Absurdist science fiction and fantasy writer, famous for his humorous use of language, metaphor, and narrative structure, as well as for his etymological wit.
When we travel we find how greatly our boyhood dreams are outstripped by reality.
It's an American classic.
"There are only two possible statements that can be made about the worlds," the Black Pope of the Carlist Hills had lectured one day. "Alpha: There is a God. Omega: there is not a God. To adhere to either of these two statements strongly is to be logical at least. Not to do so is to be in the snivelling wasteland between and to have no point of contact with logic or reason."
The works of R. A. Lafferty (1914-2002) are not too far out be reviewed by an ordinary human being. However, one must reach into an awkwardly positioned dimension to lay hold of them.
A crisis should have thunder in it. If Finnegan and Dotty had been able to generate a crisis with thunder and lightning, things might have been different. But what if the last anchor-cable parts when no one knows it, and the drift has already begun? This is the crisis come and gone.
No true reader who has read as much as a single story by Raphael Aloysius Lafferty needs to be told that he is our most original writer. ... Just about everything Lafferty writes is fun, is witty, is entertaining and playful. But it is not easy, for it is a mingling of allegory with myth, and of both with something more ... In fact, he may not be just ours, but the most original writer in the history of literature.
?Sometimes traveling people will be talking together. They will say how good it is in some places and how bad it is in others. And, sooner or later, one of them is bound File:Lafferty2.jpgto mention it. "Talk about really being out in the boondocks!" he will say, "there's a little planet named Earth--"
Brannagan had been to more places than Finnegan had, including the same places. He had not only skirted the d'Entre-Casteau Islands, he had walked all over them. He had not only sailed through China Straits, he had dived in them for old wrecks. He had not only climbed the Cloudy Mountains, but had panned gold in their streams and dips.
Those individuals looking from within the SF world may lack, or simply disdain, the linguistic and critical skills needed to begin to reveal that in Lafferty's work there is much more going on than meets the eye. The brave individuals who have attempted to do so have either merely produced fulsome praise or attempted to classify Lafferty's writings on the basis of superficialities (i.e., calling him a surrealist). Lafferty's use of displacement is not unique, but so few writers have consciously attempted the process, and their works are so varied, that there are no unifying articles, no language for the critic with a day job to draw on. Some bright lad or lass (with the appropriate dignifying letters following their names) may read this and look for the method of displacement in H. P. Lovecraft, James Joyce, Robert Pinget, Gilbert Sorrentino, Flann O'Brien, R. A. Lafferty, Howard Waldrop, and R. A. Wilson. Now there's a book worth reading. The astute observer will note that all the names on the list are Irish, saving those which are not.
There are no rules. We do whatever seems the most fun.
An excess of science will leave none of us alive.
It isn't my profundity that makes me a mental marvel, it's the amazing detail of my perception. There's nobody else who can keep so many things on his mind at once.
'We are strangers, lost and bemused," Roadstrum said to the lady. "We have landed here by accident. We are looking for a lady who was singing, the lady who (according to silly myth) is identical with the planet and who sang the planet into being."
"There was a later time when sincere men tried to build an organization as wide as the world to secure the peace of the world. It had been tried before and it had failed before. Perhaps if it failed this time it would not be tried again for a very long while. The idea of the thing was attacked by good and bad men, in good faith and bad. The final realization of it was so close that it could be touched with the fingertips. A gambler wouldn't have given odds on it either way. It teetered, and it almost seemed as though it would succeed. Then members of that group interfered."
"And it failed, O'Claire?"
"No. It succeeded, Foley, as in the other case. It succeeded in so twisted a fashion that the Devil himself was puzzled as to whether he had gained or lost ground by it. And he isn't easily puzzled."
R .A. Lafferty has always been uniquely his own man, but in this book he surpasses himself. It is wild, subtle, demonic, angelic, hilarious, tragic, poetic, a thundering melodrama and a quest into the depths of the human spirit. You'll think about it for a long time and probably go back to it more than once.
This petty place cannot be Hell, Roadstrum? Ah, but it is my friend. That, you see, is the hell of it.
If you have come with high expectations of anything, you have come to the wrong place.
"Oh, I cannot abide these complacent clods," I exclaim. "I cannot relate to these opulent oafs who are laughing in the streets. They are not high enough or low enough. For my love I must find the poor, the deprived, the fornicators, the addicts, the drunkards, the unwashed, ..."
"Oh, these are the poor," the clod told me. "This is the poorest street in town, Index Y-Z. It's hard to tell them apart now except that the poor spend more ostentatiously than the rich do."
"This is the Improbable Club," said the President-Emeritus in a heavy muffled voice, "and you things have made an improbable entry. Many unqualified persons have attempted to crash this Club, but you have done it literally. Whether you will be able to qualify for our high membership is another thing. It will not matter. We accept, for a brief moment at least, all who come here as members. We will quickly measure you one way or another. We have no living ex-members. Sit you down, all, and unwind your ears. Remember, each topper must be topped."
Roadstrum had always believed that he had troubles enough of his own. He seldom borrowed trouble, and never on usurious terms. He knew that it was a solid thing that sheep do not gather in taverns and drink beer, not even potato beer; that they do not sing, not even badly; that they do not tell stories. But a stranger can easily make trouble for himself on a strange world by challenging local customs.
"But I am the greet Roadstrum," he said, suddenly and loudly. "I am a great one for winning justice for the lowly, and I do not scare easily. I threw the great Atlas at the wrestle, and who else can say as much? I suffer from the heroic sickness every third day about nightfall, and I am not sure whether this is the third day or not. I say you are men and not sheep. I say: Arise and be men indeed!"
"It has been tried before," said Roadstrum's friend, the sheep, "and it didn't work."
"You have tried a revolt, and it failed?"
"No, no, another man tried to incite us to revolt, and failed."