Paul Valery (1871 – 1945)
French author and Symbolist poet.
A work is never completed except by some accident such as weariness, satisfaction, the need to deliver, or death: for, in relation to who or what is making it, it can only be one stage in a series of inner transformations.
The painter should not paint what he sees, but what will be seen.
The very object of an art, the principle of its artifice, is precisely to impart the impression of an ideal state in which the man who reaches it will be capable of spontaneously producing, with no effort of hesitation, a magnificent and wonderfully ordered expression of his nature and our destinies.
The folly of mistaking a paradox for a discovery, a metaphor for a proof, a torrent of verbiage for a spring of capital truths, and oneself for an oracle, is inborn in us.
The purpose of psychology is to give us a completely different idea of the things we know best.
The wind is rising...we must attempt to live.
God made everything out of nothing. But the nothingness shows through.
Science means simply the aggregate of all the recipes that are always successful. All the rest is literature.
For the musician, before he has begun his work, all is in readiness so that the operation of his creative spirit may find, right from the start, the appropriate matter and means, without any possibility of error. He will not have to make this matter and means submit to any modification; he need only assemble elements which are clearly defined and ready-made. But in how different a situation is the poet! Before him is ordinary language, this aggregate of means which are not suited to his purpose, not made for him. There have not been physicians to determine the relationships of these means for him; there have not been constructors of scales; no diapason, no metronome, no certitude of this kind. He has nothing but the coarse instrument of the dictionary and the grammar. Moreover, he must address himself not to a special and unique sense like hearing, which the musician bends to his will, and which is, besides, the organ par excellence of expectation and attention; but rather to a general and diffused expectation, and he does so through a language which is a very odd mixture of incoherent stimuli.
Stupidity is not my strong suit.
The sea, the ever renewing sea!
That which has always been accepted by everyone, everywhere, is almost certain to be false.
God created man, and finding him not sufficiently alone, gave him a female companion so that he might feel his solitude more acutely.
Great things are accomplished by men who are not conscious of the impotence of man. Such insensitiveness is precious.
But we must admit that criminals are not unlike our heroes in this respect.
In the eyes of those lovers of perfection, a work is never finished—a word that for them has no sense—but abandoned; and this abandonment, whether to the flames or to the public (and which is the result of weariness or an obligation to deliver) is a kind of an accident to them, like the breaking off of a reflection, which fatigue, irritation, or something similar has made worthless.
It is a sign of the times, and not a very good sign, that these days it is necessary—and not only necessary but urgent—to interest minds in the fate of Mind, that is to say, in their own fate.
Poe is the only impeccable writer. He was never mistaken.
Politics is the art of stopping people from minding their own business.
If the state is strong, it crushes us. If it is weak, we perish.
You have neither the patience that weaves long lines nor a feeling for the irregular, nor a sense of the fittest place for a thing ... For you intelligence is not one thing among many. You ... worship it as if it were an omnipotent beast ... a man intoxicated on it believes his own thoughts are legal decision, or facts themselves born of the crowd and time. He confuses his quick changes of heart with the imperceptible variation of real forms and enduring Beings .... You are in love with intelligence, until it frightens you. For your ideas are terrifying and your hearts are faint. Your acts of pity and cruelty are absurd, committed with no calm, as if they were irresitible. Finally, you fear blood more and more. Blood and time.