Linda Smith quotes

For the Government, it is quite hard for them to find media faces – to find people to head up campaigns – because they are all so weird-looking, aren't they? They all look like Muppets who have been left too close to a radiator. I don't like to mock the afflicted, but how did anyone know that Willie Whitelaw had had a stroke? What genius spotted that? I mean, with most people it's quite a dramatic change, isn't it? But what happened? Someone thought 'Oh, Willie's dribbled an extra pint today. What's going on? We'll run a few tests'.

[A]nd between this top-quality programming are the most miserable adverts in the world – former Mancunian top cop John Stalker trying to sell you sun awnings; trying to get you to blot out every ray of light from the world for those in the grip of manic depression – 'Hello, I'm John Stalker. Are you, like me, tired of the pitiless glare of an English summer; maddened by the relentless gaze of cruel Helios; sick of lurking in your house all summer long, like a mad bloke in a siege situation - such as I would have dealt with in my high-flying career? Well, suffer no longer. Install Gloom Master sun awnings - summer bang to rights!' Terrible! Then it all gets worse with those terrible loan adverts. These awful, tragic, hollow-eyed wraiths come on, telling you these awful stories - 'I'm up to my eyes in debt, and, curiously, no reputable company would give me another loan! Then I discovered Dodgy Bastards. They've given me a million pounds, and all they want in return are my kidneys.' No, don't do it! And then - worse than that - the accident insurance adverts - 'Where there's blame, there's a claim' - when people who've had these accidents come on like mediaeval beggars, and wave their stumps at you for money with these outlandish stories - 'I slipped on a banana skin and successfully sued the Dominican Republic...' (Wrap up Warm tour, May 2004)

Turn for some crumb of comfort to the Labour Party? Forget it! The Labour Party seem to be packaging themselves like a pack of toilet paper, at the moment – sort of going for this pastel-politics look; this sort of Labour, Little Rose; a kind of tampon that uses the same logo, called 'Femmes'. Perhaps it would be even less socialist to call themselves Labs; Labies: 'Safe, strong, soft Neil Kinnock, absorbs all kinds of shit except socialism. Expands width-wise to include everybody.' (Linda Live, 1986)

I sort of sympathise with them looking for weapons of mass destruction, because I'm like that with scissors. Honestly, I just turn the house upside down. Of course the difference is, I know I have got some scissors.

I do admire Van Gogh - I do think he was one of the greatest geniuses that ever lived. He did some very silly things. Top of the list, famously – after a row with Gaugin - absolutely ripped to the tits on absinthe – girlfriend had left him – so, he chopped his ear off and sent it to her. Do you think she came back? Do you think that did the trick? Hasn't really caught on, has it? For a start, you wouldn't try that trick today with our post, would you? Six months later, she'd be saying 'Ooh! a sun-dried tomato!' And what was he thinking? What was this girl going to do? Open up this package, fish out this lug, and go 'Ooh, Vinny! I thought you were all mad and driven and weird and a loner, and our relationship was doomed, and you go and do a lovely thing like this. Ooh, you know how to get round me. I SAID, YOU KNOW HOW TO GET ROUND ME!' (Wrap Up Warm tour, May 2004)

Oh God, the bed and breakfast! Why is it that British people can't cope with the idea of the paying guest? It's like you pay these people to stay there, but you try and act as inconspicuous as you possibly can. It's like no financial transaction's taken place. It's as though you've just imposed yourself off the street; and they think 'Who the fuck are you? You've not just paid me ?25, have you, to stay here?' First you try the lounge – the TV lounge. Suddenly you are in Poland – martial law – because there's a curfew. You're watching a film; the telly goes off at 11.30; a bloke standing over you, shouting 'I've got to get up at six o'clock this morning. What time are you going to bed?' – 'All right, yes; we're going now; we're going now.' You go up to bed with a sinking heart, which sinks even further when you open the door and find – ughh! - the MAUVE CANDLEWICK BEDSPREAD! Now this is a bad sign, because it is now on the cards that you are going to open up that bed and find MAUVE NYLON SHEETS. You get in there, and it's like sleeping between two pieces of velcro. (Linda Live, 1986)

[T]he train system is so chronic now, that any journey you undertake by train in Britain is identical to the one taken by Omar Sharif in Doctor Zhivago; that's what it's like - the same drama and misery. Ancient, knackered rolling-stock limping painfully across the land, shuddering to a halt for no apparent reason, with the lights flickering on and off; everyone running up and down - 'What's going on? What's up ahead? I don't know... Is it Rod Steiger with the White Guard?' - desperate women in headscarves running alongside the carriages, throwing their babies into the train, shouting 'I'LL NEVER SEE PURLEY OAKS, BUT MY CHILD MIGHT!' (Wrap Up Warm tour, May 2004)

You can look at any painting ever done of Jesus over the centuries, and you can spot immediately that he's not English, 'cos he's very often shown wearing sandals, but never with socks. I think that would be an English Messiah's look, wouldn't it? - socks, sandals, khaki shorts skimming the knee, little Fair Isle slipover - in case it turns, 'cos it's deceptive, the desert - and I think, instead of all that camp and rather beautiful 'Oh Lord, why hast thou forsaken me?' business - instead of all that - I think he'd be up there trying to make the best of it - 'cos moping doesn't help, does it? I think he'd be up there going, 'Cor, here's a pretty pickle. No, I didn't do it either, but you don't like to say, do you?' (Wrap Up Warm tour, May 2004)

People say 'Ooh, doesn't Lionel Blair look good for his age?' Well, no, not really – not unless he's about five hundred. Otherwise he looks like nothing more than an elaborately coiffured scrotum. (Packet of Three, Channel 4, 1991)

This is Prince Charles & Camilla. Or, as I like to think of them, Rod Hull & Emu.

(On the prospect of Thatcher's death) Be serious - this is just a fantasy, because if she were killed, would it actually make any difference? Would things get any better? Course they wouldn't; don't kid yourself. They'd get worse, because she would become a martyr – this monetarist martyr - a cult figure, like Eva Peron. Can you imagine the televised funeral? There she'd be, laid out in a glass coffin, in the blue gear, the hair-do and all the rest of it. She'd be laying there just really life-like - just like she was in life - a bit warmer. It would be on the telly. You thought Winston Churchill was bad; you can imagine what this would be like. And then, of course, it wouldn't stop at that. There would be films - The Night Brighton Rocked. There'd be musicals. Tim Rice would be churning out the musicals about her life - Magita. There'd be Elaine Page belting out the big numbers: 'Don't Cry for Me, Barnet Finchley' (Token Women, 1984)

Maltesers have the less-fattening centre. Well, yes, but they are covered in chocolate! That's like saying 'I'll have a mineral water, please. Can you put some cubes of lard in it?' (Packet of Three, Channel 4, 1991)

People knock ASBOs but you have to bear in mind they are the only qualification some of these kids are going to get.

[Of a recipe for Chilli Con Carne] English people may like to substitute a sponge cake at this point. (Series 1, Episode 6)

It'd be ludicrous, because the idea of the British Empire is such an outmoded idea. The British Empire now, if it were a being, would be living out its days in some sunshine home on the South Coast, wouldn't it? - boring the tits off everyone, shuffling around in oversize slippers, boring everyone with their press cuttings of when they were famous: 'Ooh look! ooh yes! I was very popular in the world once. Ooh yes! I went all over the world. Look, you see here; they loved me here - Sri Lanka. Of course, we used to call that Ceylon. Now, let me see; what have we here? Oh yes! they loved us there - Zimbabwe. Zimbabwe! Of course, we didn't call it Zimbabwe then. It was Rhodesia. Rhodesia, you see? And this; oh, this marvellous tour I had here - now what was it? India! India - what did we used to call that? Oh yes... Ours!' (Linda Live, 1993)

Rugby is a game for men with no fear of brain injury.

(On Ainsley Harriott) I must admit, I tend to think - with Ainsley - if you're that happy, you haven't really understood the world. You see, I think that cheeriness is all very well. Beyond a certain point it becomes quite offensive. And how many versions of what is, basically, your dinner can Ainsley do? There must be executives stalking the corridors of White City, thinking 'We need a new idea for Ainsley. He's so jolly. What can we have? We've had him doing Can't Cook, Won't Cook, Ready Steady Cook, Barbecues. We need something new, different, edgy. How about this? We like this. Ainsley's Death-Row Dinners.' Yes, the jolly chef tours the condemned man with a last supper to remember. We can have the recipes in the Radio Times - Ainsley's Humanely Fried Chicken, with a lethal injection of butter! - guaranteed to make the governor say 'Pardon'. (Wrap Up Warm tour, May 2004)

You should always book tradesmen by personal recommendation.

Piers Morgan who used to be editor of The Mirror. He's got a whole new career now, as the bloke who used to be editor of The Mirror.

Another panellist (Clive Anderson) suggested, "Don't give him the oxygen of publicity". "I'm not that happy with him having the oxygen of oxygen, actually," Linda replied.