Joseph Conrad (1857 – 1924)
Polish writer, working in England, regarded as one of the greatest novelists in the English language.
This could have occurred nowhere but in England, where men and sea interpenetrate, so to speak.
He remembered that she was pretty, and, more, that she had a special grace in the intimacy of life. She had the secret of individuality which excites and escapes.
A nickname may be the best record of a success. That's what I call putting the face of a joke upon the body of a truth.
Words, as is well known, are the great foes of reality. I have been for many years a teacher of languages. It is an occupation which at length becomes fatal to whatever share of imagination, observation, and insight an ordinary person may be heir to. To a teacher of languages there comes a time when the world is but a place of many words and man appears a mere talking animal not much more wonderful than a parrot.
Reality, as usual, beats fiction out of sight.
The East Wind, an interloper in the dominions of Westerly weather, is an impassive-faced tyrant with a sharp poniard held behind his back for a treacherous stab.
There is no credulity so eager and blind as the credulity of covetousness, which, in its universal extent, measures the moral misery and the intellectual destitution of mankind.
What makes mankind tragic is not that they are the victims of nature, it is that they are conscious of it.
The Westerly Wind asserting his sway from the south-west quarter is often like a monarch gone mad, driving forth with wild imprecations the most faithful of his courtiers to shipwreck, disaster, and death.
It is not the clear-sighted who lead the world. Great achievements are accomplished in a blessed, warm mental fog.
Nations it may be have fashioned their Governments, but the Governments have paid them back in the same coin.
Who knows what true loneliness is not the conventional word, but the naked terror? To the lonely themselves it wears a mask. The most miserable outcast hugs some memory or some illusion.
I remember my youth and the feeling that will never come back any more the feeling that I could last for ever, outlast the sea, the earth, and all men; the deceitful feeling that lures us on to joys, to perils, to love, to vain effort to death; the triumphant conviction of strength, the heat of life in the handful of dust, the glow in the heart that with every year grows dim, grows cold, grows small, and expires and expires, too soon too soon before life itself.
"God for men religions for women," he muttered sometimes.
The air of the New World seems favorable to the art of declamation.
The last thing a woman will consent to discover in a man whom she loves, or on whom she simply depends, is want of courage.
All idealization makes life poorer. To beautify it is to take away its character of complexity it is to destroy it. Leave that to the moralists, my boy. History is made by men, but they do not make it in their heads. The ideas that are born in their consciousness play an insignificant part in the march of events. History is dominated and determined by the tool and the production by the force of economic conditions. Capitalism has made socialism, and the laws made by the capitalist for the protection of property are responsible for anarchism. No one can tell what form the social organisation may take in the future. Then why indulge in prophetic phantasies? At best they can only interpret the mind of the prophet, and can have no objective value. Leave that pastime to the moralists, my boy.
Between the crowded houses of Gravesend and the monstrous red-brick pile on the Essex shore the ship is surrendered fairly to the grasp of the river. That hint of loneliness, that soul of the sea which had accompanied her as far as the Lower Hope Reach, abandons her at the turn of the first bend above. The salt, acrid flavour is gone out of the air, together with a sense of unlimited space opening free beyond the threshold of sandbanks below the Nore. The waters of the sea rush on past Gravesend, tumbling the big mooring buoys laid along the face of the town; but the sea-freedom stops short there, surrendering the salt tide to the needs, the artifices, the contrivances of toiling men. Wharves, landing-places, dock-gates, waterside stairs, follow each other continuously right up to London Bridge, and the hum of mens work fills the river with a menacing, muttering note as of a breathless, ever-driving gale. The water-way, so fair above and wide below, flows oppressed by bricks and mortar and stone, by blackened timber and grimed glass and rusty iron, covered with black barges, whipped up by paddles and screws, overburdened with craft, overhung with chains, overshadowed by walls making a steep gorge for its bed, filled with a haze of smoke and dust.
To the destruction of what is.
Only a moment; a moment of strength, of romance, of glamour of youth!... A flick of sunshine upon a strange shore, the time to remember, the time for a sigh, and goodbye! Night Goodbye!