Thursday, November 05, 2026 Text is available under the CC BY-SA 3.0 licence.

Donald Barthelme (1931 – 1989)


American author known for his postmodern short stories and novels.
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Donald Barthelme
Who among us is not thinking about divorce, except for a few tiny-minded stick-in-the-muds who don’t count?
Barthelme quotes
The new thing, a great banality in white, off-white and poor-white, leaned up against the wall. “Interesting,” we said. “It’s poor,” Snow White said. “Poor, poor.” “Yes,” Paul said,” one of my poorer things I think.” “Not so poor of course as yesterday’s, poorer on the other hand than some,” she said. “Yes,” Paul said, “it has some of the qualities of poorness.” “Especially poor in the lower left-hand corner,” she said. “Yes,” Paul said, “I would go so far as to hurl it into the marketplace.” “They’re getting poorer,” she said. “Poorer and poorer,” Paul said with satisfaction, “descending to unexplored depths of poorness where no human intelligence has ever been.” ... “Sublimely poor,” she murmured. “Wallpaper,” he said.
Barthelme
HENRY: Now it is necessary to court her, and win her, and put on this clean dressing gown, and cut my various nails, and drink something that will kill the millions of germs in my mouth, and say something flattering, and be witty and bonny, and hale and kinky, all just to ease this wrinkle in the groin. It seems a high price.




Barthelme Donald quotes
“My readers,” said Pillsbury, “need, nay, require reassurance as to whether the throne is, in this century, still a viable institution.”
“King,” said Arthur, “king, king, king. Fundamentally an absurd idea, that one chap has better blood than another chap. Has to do with dogs, dog breeding, really, dogs and horses. Oh, it’s no great thing to be a king. On the other hand, I’ve never not been a king, so I’ve no idea what that’s like. Might be quite grand. The pleasure of being inconspicuous, a fudge in the crowd. Can’t imagine it.
“Can’t imagine what it would be like to be a churl. The country’s full of them, yet I have no idea how they think. It’s not good for a king to have no idea how people think. By the same token, the people have no idea how I think. When I address them, it’s in the language of a proclamation, isn’t it? And the language of a proclamation is hardly cozy, is it? I could even be witty, and the people would never know. Pity.
“In the same universe of discourse,” said Arthur, “the question of leadership, with accompanying subsections, such as statesmanship, generalship, gamesmanship, rabble-rousing, and the like. The king’s sceptre, the marshal’s baton, the conductor’s baton, the physician’s caduceus, the magician’s wand—a stick of some kind, with which one must animate a mass. In your case, Mr. Pillsbury, a pencil. But one must know how to operate the stick, eh? One can’t just wave the damned thing around to no purpose. All in the wrist, eh, Mr. Pillsbury?”
Barthelme Donald
LeDuff’s argument (in Shock Art #37) that an image, once floated on the international art-sea, is a fish that anyone may grab with impunity, and make it his own, would not persuade an oyster. Questions of primacy are not to be scumbled in this way, which, had he been writing from a European perspective, he would understand, and be ashamed. The brutality of the American rape of the world’s exhibition spaces and organs of art-information has distanciated his senses. The historical aspects have been adequately trodden by others, but there is one category yet to be entertained—that of the psychological. The fact that LeDuff is replicated in every museum, in every journal, that one cannot turn one’s gaze without bumping into this raw plethora, LeDuff, LeDuff, LeDuff (whereas poor Bruno, the true progenitor, is eating the tops of bunches of carrots)—what has this done to LeDuff himself? It has turned him into a dead artist, but the corpse yet bounces in its grave, calling attention toward itself in the most unseemly manner. But truth cannot be swallowed forever. When the real story of low optical stimulus is indited, Bruno will be rectified.
Donald Barthelme quotes
“Sometimes I see signs on walls saying Kill the Rich,” Clem said. “And sometimes Kill the Rich has been crossed out and Harm the Rich written underneath. A clear gain for civilization I would say. And the one that says Jean-Paul Sartre Is a Fartre. Something going on there, you must admit. Dim ?icker of something. ...”
Donald Barthelme
At last it is time to speak the truth about Thanksgiving. The truth is this: it is not a really great holiday. Consider the imagery. Dried cornhusks hanging on the door! Terrible wine! Cranberry jelly in little bowls of extremely doubtful provenance which everyone is required to handle with the greatest of care! Consider the participants, the merrymakers. Men and women (also children) who have survived passably well through the years, mainly as a result of living at considerable distances from their dear parents and beloved siblings, who on this feast of feasts must apparently forgather (as if beckoned by an aberrant Fairy Godmother), usually by circuitous routes, through heavy traffic, at a common meeting place, where the very moods, distempers, and obtrusive personal habits that have kept them happily apart since adulthood are then and there encouraged to slowly ferment beneath the cornhusks, and gradually rise with the aid of the terrible wine, and finally burst forth out of control under the stimulus of the cranberry jelly! No, it is a mockery of a holiday. For instance: Thank You, O Lord, for what we are about to receive. This is surely not a gala concept. There are no presents, unless one counts Aunt Bertha’s sweet rolls a present, which no one does. There is precious little in the way of costumery: miniature plastic turkeys and those witless Pilgrim hats. There is no sex. Indeed, Thanksgiving is the one day of the year (a fact known to everybody) when all thoughts of sex completely vanish, evaporating from apartments, houses, condominiums, and mobile homes like steam from a bathroom mirror.
Barthelme Donald quotes
Self-criticism sessions were held, but these produced more criticism than could usefully be absorbed or accomodated.
Barthelme
—Is it permitted to differ with Kierkegaard?
—Not only permitted but necessary. If you love him.
Barthelme Donald
William I’m sorry I let my brother hoist you up the mast in that crappy jury-rigged bosun’s chair while everybody laughed! William I’m sorry I could build better fires than you could! I’m sorry my stack of Christmas cards was always bigger than yours! ... William I’m sorry I invented bop jogging which you couldn’t do! I’m sorry I loved Antigua! I’m sorry my mind wandered when you talked about the army! I’m sorry I was superior in argument! I’m sorry you slit open my bicycle tires looking for incriminating letters that you didn’t find! You’ll never find them! ... William! I’m sorry I looked at Sam but he was so handsome, so handsome, who could not! I’m sorry I slept with Sam! I’m sorry about the library books! I’m sorry about Pete! I’m sorry I never played the guitar you gave me! I’m sorry I married you and I’ll never so it again!
Donald Barthelme
Snatch them baldheaded, slap their teeth out. Little starved faces four feet from the screen, you’d speak to them in a loud, commanding voice, get not even a twitch. Use of the preemptive splint, not everyone knows about it. The world reminds us of its power, again and again and again. Going along minding your own business, and suddenly an act of God, right there in front of you. Great falls of snow and bursting birds. Getting guilty, letting it all slide. Sown here and there like little...petunias, one planted in Old Lyme, one in Fairbanks, one in Tempe. Alleged that he slept with her while she was asleep, I can see it, under certain circumstances. You may wink, but not at another person. You may wink only at pigeons. You may pound in your tent pegs, pitch your tent, gather wood for the fire, form the hush puppies. They seek to return? Back to the nest? The warm arms? The ineffable smells? Not on your tintype. Well, I think that’s a little harsh. Think that’s a little harsh do you? Yes, harsh. Harsh. Well that’s a sketch, that is, that’s a tin-plated sketch— They write and telephone. Short of cash? Give us a call, all inquiries handled with the utmost confidentiality. They call constantly, they’re calling still, saying williwaw, williwaw—




Donald Barthelme quotes
It is not true that Kafka wanted Brod to burn his manuscripts after his death. Rather it is the case that Kafka was on fire to be published...rushed to the postbox day after day...ate with editors...intrigued for favorable notices...read the Writer’s Digest...consorted with critics...autographed napkins...made himself available to librarians...spoke on the radio...
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