Brian Aldiss
English writer of general fiction and science fiction.
The hardship of it was a pleasure. Life was a pleasure; he looked back at its moments, many of them as shrouded in mist as the opposite bank of the Thames. Objectively, many of them held only misery, fear, confusion; but afterward, and even at the time, he had known an exhilaration stronger than the misery, fear, or confusion. A fragment of belief came to him from another epoch: Cogito ergo sum. For him that had not been true; his truth had been: Sentio ergo sum. I feel, so I exist. He enjoyed this fearful, miserable, confused life, and not only because it made more sense than nonlife. He could never explain that to anyone.
It’s a national failing to think of politics as something that goes on in Parliament. It isn’t; it’s something that goes on inside us.
I’ve no objection to morality, except that it’s obsolete.
"There's a way outside. We're — we've got to find out what we are." His voice rose to an hysterical pitch. He was shaking Calvin again. "We must find out what's wrong here. Either we are victims of some ghastly experiment — or we're all monsters!"
The midwife bustled out to the four in the antechamber and announced that the Almighty (who had recently become a Protestant) had seen fit to bless milady with a son.
However you envisage your role in life, all you can do is perform it as best you can.
“Sounds to me as if you want journalists,” Timberlane said.
“No, sir, we require steady men with integrity. This is not a scoop, it’s a way of life.”
I can't help believing that these things that come from the subconscious mind have a sort of truth to them. It may not be a scientific truth, but it's psychological truth.
Most SF is about madness, or what is currently ruled to be madness; this is part of its attraction — it's always playing with how much the human mind can encompass.
If more people had put their fellow human beings before abstractions last century, we shouldn’t be where we are now.
If we can see our difficulties, there is a way of resolving them, or the hope of a way.
One of the characteristics of age was that all avenues of talk led backward in time.
An overcrowded world is the ideal place in which to be lonely.
I was hardly fit for human society. Thus destiny shaped me to be a science fiction writer.
He let out a yell of joy. They danced round the room. Pressure of population was such that reproduction had to be strict, controlled. Childbirth required government permission. For this moment, they had waited four years. Incoherently they cried their delight.
Jagger had gone through there. Harley also went through. Somewhere he did not know, somewhere whose existence he had not guessed.… Somewhere that wasn't the house.…
Aldiss' New Wave masterpiece is Report On Probability A. ... The minutiae of all the involved's lives are the only thing; the act of observation is the only plot. The science fiction happens when it becomes apparent that there are Other watchers, and watchers watching those watchers, stretching back to what seems to be citizens of our own reality. Report On Probability A is about the metaphor of circular vision, manifested in the narrative by the round fields of view of the various optical devices and windows through which S, G, and C observe their world, expanding macrocosmically with the vast circle of observers observing the observers. As banality merges with paranoia, drawn only by whatever the reader brings to the narrative, there is no conclusion, no story, only facts. The story returns over and over to the painting The Hireling Shepherd by Holman Hunt, which becomes a recurring unresolved image which has no final meaning, only whatever speculation it's benighted observers bring to bear on it. Every character is searching for a meaning which may, or may not, exist as actual Truth. Behind each level of truth lies another; who is to say how far the chain goes or which part of it is more Actual? ... The simplicity of the "story" masks an investigation into uncertainty and the nature of reality itself. The seeming bankruptcy of plot opens the reader to question the act of observation, of reporting, of writing itself. Truth is what Report On Probability A is all about, and Aldiss points out that it is a plastic thing that depends on who is trying to figure it out, and an ambiguous thing that may, at it's root, be unknowable.
What were several fewer species of animals compared with a hundred-mile advance and another medal on another general?
Obeying an inalienable law, things grew, growing riotous and strange in their impulse for growth.
Many modifications in private and public life took place. Privacy ceasing to exist, all new houses were glass-built, curtains abolished, walls pulled down. Police went, the entire legal structure vanished overnight — a man does not litigate against himself. A parody of Parliament remained, to deal with foreign affairs, but party politics, elections, leaders in newspapers (even newspapers themselves) were scrapped.