Anthony Burgess

And then there were the sick to be transported back to Cairo (where already the holy war might have spread like the bubonic and smiling beards above gelder’s knives be waiting at the gates), and how in the name of filthy castrating Allah did you march men back through the Sinai who couldn’t even sit a mule? He reviewed the sweating patients in gloom, all distorted with bubos…

‘So she was Greek, was she?’ said Sir Benjamin. ‘Well, well. I suppose the new vice laws are driving some of them out of Soho. Driving them down here,’ he said, as though a whole new world were opening up. ‘Well.’

I watched the grey villages limp by, the wind tearing at torn posters of long-done events. What I needed, of course, was a drink.

'And make up your mind about what bloody race you belong to. One minute it’s all about being a farmer’s boy in Northamptonshire and the next you’re on about the old days in Calcutta and what the British have done to Mother India and the snake-charmers and the bloody temple-bells. Ah, wake up, for God’s sake. You’re English right enough but you’re forgetting how to speak the bloody language, what with traipsing about with Punjabis and Sikhs and God knows what. You talk Hindustani in your sleep, man. Sort it out, for God’s sake. If you want to put a loincloth on, get cracking, but don’t expect the privileges --’ (the word came out in a wet blurr; the needle stuck for a couple of grooves) ‘the privileges, the privileges…’

We can no longer expect the one big book, the single achievement, to be an author's claim to posterity's regard. We shall be more inclined to assess the stature of a novelist by his ability to create what the French call an oeuvre, to present fragments of an individual vision in book after book, to build, if not a War and Peace or Ulysses, at least a shelf.

Carlo looked as at the world of fallen man on the endless suburbs that passed for a city, an eatery in the likeness of a Sphinx (enter between its forepaws), another, for jumbo malts so thick you can't suck 'em through a straw, in the form of an elephant crouched as at the bidding of its mahout, gimcrack temples of various faiths, attap roofs of nutburger stands with Corinthian columns, loans loans loans, stores crammed with cutprice radios, a doughnuttery, homes like Swiss chalets, like Bavarian castles, miniature Blenheims, Strawberry Hills, Taj Mahals, a bank in the form of a tiny ocean liner, dusty trees on the boulevards (datepalm, orange, oleander), bars with neon bottles endlessly pouring, colleges for stuntmen, beauticians, morticians, degrees in drummajoretteship.

The church stands that it may be battered, but the fists that batter know their own impotence.

'It was not seemly to raise your flags on the minarets.'

‘You served here how long, Cornelius?’
‘Long enough to learn about what they believe. Not long enough to learn to speak their language well enough to get their confidence. Not long enough to learn how to read their books. Now I’ve three years before retirement and a measure of spare time for getting down to it.’
‘This, you know,’ Marcellus said, ‘is all wrong. You’re not here to get their confidence or read their books. They’re a colonized people. We’re here to give orders.
‘They’d rather die than obey some of the Roman orders. Besides, it’s laid down that their religion is inviolate...’

At various universities, I've seen black men who are treated very indulgently, over-indulgently. They are allowed to do what they want, take what they want, drop what they want. I met one young man in Philadelphia, a young black, who wanted to learn music. But he wouldn't learn music from whites because it was 'tainted' music. Well, this is bloody ridiculous...[remark made in 1971, cited in Roger Lewis, Anthony Burgess (2002), p. 152]

…for thy huggest thy bolster, which men call a Dutch wife in some parts.

‘…today’s…newspapers…full of…diminishing exports, the unkillable widening grin of the pullulating East, the expanding machine of the almighty infallible State….He himself could only turn to the past, but he heard that it was already possible to change the past, bringing the past perpetually up to date, a perpetual jackal fawning on the present, a malleable witness with no qualms about perjury. He knew that the armies were on the march, the Tannoys blaring, the collective mind – tool of oligarchy – being fashioned under the anaesthetic of the catchphrase and the mass entertainment...’

I know little about the women of my own race...

'The country will absorb you and you will cease to be Victor Crabbe. You will less and less find it possible to do the work for which you were sent here. You will lose function and identity. You will be swallowed up and become another kind of eccentric. You may become a Muslim. You may forget your English, or at least lose your English accent. You may end in a kampong, no longer a foreigner, an old brownish man with many wives and children, one of the elders whom the young will be encouraged to consult on matters of the heart. You will be ruined.'

Rosemary was only a spinster in the strict sense of denotation. She was eminently, eminently nubile.

...in the Restoration period, feeling and imagination were mistrusted: feeling implied strong convictions, and strong convictions had produced a Civil War and the harsh rule of the Commonwealth; imagination suggested the mad, the wild, the uncouth, the fanatical. It was best to live a calm civilised life governed by reason. Such a life is best lived in the town, and the town is the true centre of culture; the country estates are impoverished, and little of interest is going on there; the country itself is barbaric.

Burgess worked all day, chain-smoking small cigars and producing 1,000 words a day at a large architect’s table - a word processor for his journalism, a typewriter for the fiction...
...went home, did the kitchen, spring-cleaned the flat, wrote two book reviews, a flute concerto and a film treatment, knocked off his gardening column for Pravda, phoned in his surfing page to the Sydney Morning Herald, and then test-drove a kidney dialysis machine for El Pais before settling down to some serious work.

If you reject family - which a mother holds together - as well as the ties of Church and State, is there anything left for you?

About the eroticism of Anthony Burgess, it is interesting to notice that we never find ‘penetrative Eros’ either in twosome, threesome or a roomful of people. Anthony is, more than reticent, endowed with what used to be called ‘Christian modesty’ (which is also, Muslim, Jewish Orthodox Fundamentalism and Hindu, be it said). The grosser form of the sexual act is, very effectively, either - and this is more often the case - suggested by sequences of rhythmical images, as in Tremor of Intent when Miss Devi’s seduces Rupert Hillier in his ship cabine and her initial seduction followed by his response are evoked in a splendidly rhythmical crescendo (I’ve heard him read the pages aloud during a lecture given in Oklahoma or Denver), or, funnily and matter-of-factly, in a foreign language, as when, in a case of rape brought by Malay assistant against a small Chinese shopkeeper, her employer, while the prosecution goes on about "had he done this and he done that, and had there been any attempt to, shall we say, force his attention on her, and had he perhaps been importunate in demanding her favours"… The interpreter, having listened very patiently, just asks the girl, ‘Sudah masok?’ and she replies, quick as a flash, ‘Sudah.’

…Novello should be extremely grateful that his innubile daughter was being taken off his hands by a Tasca.