Algernon Charles Swinburne

I remember the way we parted,
The day and the way we met;
You hoped we were both broken-hearted
And knew we should both forget.

A baby's feet, like sea-shells pink
Might tempt, should heaven see meet,
An angel's lips to kiss, we think,
A baby's feet.

Who knows but on their sleep may rise
Such light as never heaven let through
To lighten earth from Paradise?

Farewell, and peace be with you if it may.
I have lost, ye have won this hazard: yet perchance
My loss may shine yet goodlier than your gain
When time and God give judgment. If there be
Truth, true is this, that I desired the right
And ye with hands as red sustain the wrong
As mine had been in triumph. Have your will:
And God send each no bitterer end than mine.

Thou hast conquered, O pale Galilean; the world has grown grey from thy breath;
We have drunken of things Lethean, and fed on the fullness of death.

Is not Precedent indeed a King of men?

What sentence shall be given on mine? Of man,
As ill or well God means me, well or ill
Shall judgment pass upon me : but of God,
If God himself be righteous or be God,
Who being unrighteous were but god of hell,
The sentence given shall judge me just...

The tadpole poet will never grow into anything bigger than a frog; not though in that stage of development he should puff and blow himself till he bursts with windy adulation at the heels of the laureled ox.

Villon, our sad bad glad mad brother's name.

A crown and justice? Night and day
Shall first be yoked together.

Our way is where God knows
And Love knows where:
We are in Love’s hand to-day.

Before the beginning of years
There came to the making of man
Time with a gift of tears,
Grief with a glass that ran,
Pleasure with pain for leaven,
Summer with flowers that fell,
Remembrance fallen from heaven,
And Madness risen from hell,
Strength without hands to smite,
Love that endures for a breath;
Night, the shadow of light,
And Life, the shadow of death.

God by God flits past in thunder, till His glories turn to shades;
God to God bears wondering witness how His gospel flames and fades.
More was each of these, yet they were, than man their servant seemed:
Dead are all of these, and man survives who made them while he dreamed.

They do not ill, being lords of ours, to slay
Me; nay, they could not spare: but thee to slay,
To spill thy strong young life for truth to me,
In all men's eyes would mark them monstrous : thou
Must live, and serve my slayers, and serving them
Sustain my memory by the proof — if God
Shall give thee grace to prove it — that thy name,
Thy father's name and mine, in true men's ears
Rings truth, and means not treason.

Friends, citizens, and brethren. This our friend
Hath given you by my charge to know of me
Thus much, that if your ends and mine be one,
As one our wrongs are, and this people's need
One, toward the goal forefelt of our desire
No heart shall beat, no foot shall press, no hand
Strain, strive, and strike with steadier will than mine
And faith more strenuous toward the purpose. This
If ye believe not, here our hope hath end;
If ye believe, here under happier stars
Begins the date of Venice.

Those eyes the greenest of things blue
The bluest of things grey.

His speech is a burning fire.

?schylus is above all things the poet of righteousness. "But in any wise, I say unto thee, revere thou the altar of righteousness": this is the crowning admonition of his doctrine, as its crowning prospect is the reconciliation or atonement of the principle of retribution with the principle of redemption, of the powers of the mystery of darkness with the coeternal forces of the spirit of wisdom, of the lord of inspiration and of light. The doctrine of Shakespeare, where it is not vaguer, is darker in its implication of injustice, in its acceptance of accident, than the impression of the doctrine of ?schylus. Fate, irreversible and inscrutable, is the only force of which we feel the impact, of which we trace the sign, in the upshot of Othello or King Lear. The last step into the darkness remained to be taken by "the most tragic" of all English poets. With Shakespeare — and assuredly not with ?schylus — righteousness itself seems subject and subordinate to the masterdom of fate: but fate itself, in the tragic world of Webster, seems merely the servant or the synonym of chance. The two chief agents in his two great tragedies pass away — the phrase was, perhaps, unconsciously repeated — "in a mist": perplexed, indomitable, defiant of hope and fear bitter and sceptical and bloody in penitence or impenitence alike. And the mist which encompasses the departing spirits of these moody and mocking men of blood seems equally to involve the lives of their chastisers and their victims. Blind accident and blundering mishap — "such a mistake", says one of the criminals, "as I have often seen in a play" — are the steersmen of their fortunes and the doomsmen of their deeds. The effect of this method or the result of this view, whether adopted for dramatic objects or ingrained in the writer's temperament, is equally fit for pure tragedy and unfit for any form of drama not purely tragic in evolution and event.

I. But he hears not. Now, my warrior guests,
I drink to the onward passage of his soul
Death. Had my hand turned coward or played me false,
This man that is my hand, and less than I
And less than he bloodguilty, this my death
Had been my husband's: now he has left it me.
[Drinks]
How innocent are all but he and I
No time is mine to tell you. Truth shall tell.
I pardon thee, my husband: pardon me. [Dies]

Mr. Swinburne is already the Poet Laureate of England. The fact that his appointment to this high post has not been degraded by official confirmation renders his position all the more unassailable. He whom all poets love is the Laureate Poet always.