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Phil Plait

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Just like people, stars can be important without being terribly bright.
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p. 115

 
Phil Plait

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Susan Brooks was one of those girls who never say anything unless called upon, the ones the teachers always have to ask to speak up, please. A very studious, very serious girl. A rather pretty but not terribly bright girl -- the kind who isn't allowed to give up and take the general or the commercial courses, because she had a terribly bright older brother or older sister, and the teachers expect comparable things from her. In fine, one of those girls who are holding the dirty end of the stick with as much good grace and manners as they can muster. Usually they marry truck drivers and move to the West Coast, where they have kitchen nooks with Formica counters -- and they write letters to the Folks Back East as seldom as they can get away with. They make quiet, successful lives for themselves and grow prettier as the shadow of the bright older brother or sister falls away from them.

 
Stephen King
 

Artists shouldn't be made famous. You know... they're just ... as important as... um doctors, and priests ... or maybe not as important sometimes, and yet they have this huge aura of almost god-like quality about them, just because their craft makes a lot of money. And at the same time it is a forced importance — you know, football stars and theatre stars — It is man-made so the press can feed off it.

 
Kate Bush
 

"...Let us go," we said, "into the Sea of Cortez, realizing that we become forever a part of it; that our rubber boots slogging through a flat of eel-grass, that the rocks we turn over in a tide pool, make us truly and permanently a factor in the ecology of the region. We shall take something away from it, but we shall leave something too." And if we seem a small factor in a huge pattern, nevertheless it is of relative importance. We take a tiny colony of soft corals from a rock in a little water world. And that isn't terribly important to the tide pool. Fifty miles away the Japanese shrimp boats are dredging with overlapping scoops, bringing up tons of shrimps, rapidly destroying the species so that it may never come back, and with the species destroying the ecological balance of the whole region. That isn't very important in the world. And thousands of miles away the great bombs are falling and the stars are not moved thereby. None of it is important or all of it is.

 
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We measure the earth, sun, stars, and ocean depths. We burrow into the depths of the earth for gold. We search for rivers and mountains on the moon. We discover new stars and know their magnitudes. We sound the depths of gorges and build clever machines. Each day brings a new invention. What don’t we think of! What can’t we do! But there is something else, the most important thing of all, that we are missing. We do not know exactly what it is. We are like a small child who knows he does not feel well but cannot explain why. We are uneasy, because we know a lot of superfluous facts; but we do not know what is really important—ourselves.

 
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It was true of my generation, that the movies were terribly vivid and instructive. There were all kinds of things you learned. Like the 19th century novels, you saw how other social classes lived — especially the upper classes. So in a funny way, they taught you manners almost. But also moral manners. The gallantry of a Gary Cooper or an Errol Flynn or Jimmy Stewart. It was ethical instruction of a sort that the church purported to be giving you, but in a much less digestible form. Instead of these remote, crabbed biblical verses, you had contemporary people acting out moral dilemmas. Just the grace, the grace of those stars — not just the dancing stars, but the way they all moved with a certain grace. All that sank deep into my head, and my soul.

 
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