It seems to me that dominant cinema seems to require an empathy or a sympathy between the film and the audience which is basically to do with the manipulation of the emotions and it seems to me again -- and this is a very subjective position -- that most cinema seems to trivialise the emotions, sentimentalising or romanticising them.
--
From an interview in Art and Design, no. 49Peter Greenaway
» Peter Greenaway - all quotes »
"I live cinema. I chose the cinema when I was very young, sixteen years old, and from then on my memories virtually coincide with the history of the cinema ... I'm not a director with a personal style, I am simply cinema. I have grown up with and through cinema; everything that I've had in the way of education has been through the cinema; insofar as I'm interested in images, in books, in music, it's all due to the cinema."
Michael Powell
This is now. We are filled with optimism and expectation. Why would we want to see such a film, however brilliantly it has been made? I think it's because a film like Amour has a lesson for us that only the cinema can teach: the cinema, with its heedless ability to leap across time and transcend lives and dramatize what it means to be a member of humankind's eternal audience.
Roger Ebert
It seems to me that the comprehension and enjoyment of the reader, as opposed to the viewer, is best served in printing this version rather than a slavish definitive transcription. Besides, what film is truly definitive? By the time you see the film it may very well be sub-titled, re-edited, shortened, even censored, and every film is viewed at the discretion of the projectionist, the cinema manager, the architect of the cinema, the comfort of your seat and the attention of your neighbour.
Peter Greenaway
"Mani Kaul was one of the greatest auteurs of New Wave Indian Cinema. His films reflected his personal creative vision. Kaul was a man with a luminous mind who pioneered the parallel cinema movement in India. His films explored a new language and expression. Innovative imagery, vocabulary and experimentation were his forte. His debut film Uski Roti was a landmark film in Indian cinema. He was deeply influenced by Robert Bresson, Andrei Tarkovsky and Ritwik Ghatak, though he made a mark of his own."
Arin Paul
Watch the movie closely, and you’ll see how personal it is. Here’s a film in which cinema brings down the Nazi regime, metaphorically and literally. What could possibly be better than that? In this story, cinema changes the world, and I f**king love that idea!
Quentin Tarantino
Greenaway, Peter
Greenberg, Clement
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