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It's like Shelley. Like Werther. Like a Japanese Ophelia. Like a beautiful Oriental Lady in the Lake.
--
Philip reacts to Mio's death

 

Peter Greenaway

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Kawabata Yasunari, the first Japanese writer who stood on this platform as a winner of the Nobel Prize for Literature, delivered a lecture entitled Japan, the Beautiful, and Myself. It was at once very beautiful and vague. I have used the English word vague as an equivalent of that word in Japanese aiming. This Japanese adjective could have several alternatives for its English translation. The kind of vagueness that Kawabata adopted deliberately is implied in the title itself of his lecture. It can be transliterated as "myself of beautiful Japan". The vagueness of the whole title derives from the Japanese particle "no" (literally "of") linking "Myself" and "Beautiful Japan".
The vagueness of the title leaves room for various interpretations of its implications.

 

Kenzaburo Oe

 

Here lies a most beautiful lady,
Light of step and heart was she;
I think she was the most beautiful lady
That ever was in the West Country.

 

Walter de la Mare

 

A beautiful lady is an accident of nature. A beautiful old lady is a work of art.

 

Louis Nizer

 

Shelley, whose talents would otherwise have made him eligible, was an outcast from the first ... They always knew where to draw the line and they drew it, emphatically, at Shelley. I was informed that Byron could be forgiven because, though he had sinned, he had been led into sin by the unfortunate circumstances of his youth, and had always been haunted by remorse, but that for Shelley's moral character there was nothing to be said since he acted on principle and therefore he could not be worth reading.

 

Percy Bysshe Shelley

 

Kevin Nash: I need to get in the head of an X-Division star.
Alex Shelley: Dissect them, huh?
Kevin Nash: I need to know what they do, what they think when they got on the top rope. What they think when they leave the top rope.
Alex Shelley: Hey, Kevin! Look who your talking to here, huh?
Kevin Nash: Exactly.
Alex Shelley: So, what we did is run some tapes from Mexico, from Japan, from Madagascar.
Kevin Nash: Madagascar?
Alex Shelley: That's right. Alright, Kevin, here we are in Mexico City. Now notice, watch him go up, there you go, thats right. He's going into the Spaceman Torisho Arm drag right there. You see the beauty? The form? How he arched his back? That's right, as he does a 360. What?! -- over the top rope! Kevin, come on, take these notes.
Kevin Nash: What is that?
Johnny Devine: Double Reverse Ninja Kick.
Kevin Nash: With an atomic arm drop. Where is this? I've never seen a two-sided ring before.
Alex Shelley: You're damn right you haven't! Because this is Madagascar. Japan, Mexico they got nothing on Madagascar, oh man.
Kevin Nash: But...are they sitting on the floor?
Johnny Devine: This guys --
Alex Shelley: That's right, because chairs are a luxury over there.
Kevin Nash: Doesn't look like there's that many people there. How many people are at this thing?
Alex Shelley: Three hundred, give or take.
Kevin Nash: Three hundred?
Alex Shelley: Best wrestlers in the world I tell ya, right here. Best wrestlers in the world. Yeah, write up, Kevin. You know what I'm going to do for you, Kevin? You know those two Madagascar wrestlers we were watching? We're going to fly them in business class.
Kevin Nash: Shut the front door!
Alex Shelley: That's right. Business class. Just so you can train with these fellas. Come on, Kevin.
Kevin Nash: I... love you.
Alex Shelley: Next week we'll do it up, huh
(group hug)
Alex Shelley: Hold me!
Kevin Nash: Championship...feel it.
Alex Shelley: Hold me. Not too tight.
Kevin Nash: Okay, Sorry.

 

Kevin Nash